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Kenny Rogers as The Gambler (also known as The Gambler) is a 1980 American Western television film directed by Dick Lowry. The film premiered on CBS on April 8, 1980. It was loosely based on the Grammy -winning Kenny Rogers song of the same name , [1] and stars the singer as Brady Hawkes, a gambler trying to reunite with a son he never knew, played by Ronnie Scribner .
15. Jan. 2015 · The Gambler (2014) ist ein Spielfilm von Regisseur Rupert Wyatt der das Glücksspiel thematisiert. Mein Gott war dieser Film langweilig, hab selten sowas einschläferndes gesehen. Anfangs dachte ich, mich erwartet eine Art Drama rund ums Glücksspiel, so wie bei Martin Scorseses Meisterwerk Casino (1995) oder John Dahls Rounders (1998), aber NEIN, stattdessen bekam ich eine völlig öde und ...
Rated 5/5 Stars • Rated 5 out of 5 stars 05/14/24 Full Review Vicki L Good cast, but terrible writing. The main character is an awful, awful person, and it’s impossible to believe he’ll ...
- (143)
- Crime, Drama
- R
Literature professor Jim Bennett leads a secret life as a high-stakes gambler. Always a risk-taker, Bennett bets it all when he borrows from a gangster and offers his own life as collateral. Staying one step ahead, he pits his creditor against the operator of an illicit gambling ring while garnering the attention of Frank, a paternalistic loan shark. As his relationship with a student deepens ...
25. Dez. 2014 · The Gambler (2014), scheda completa del film di Rupert Wyatt con Mark Wahlberg, George Kennedy, Griffin Cleveland: trama, cast, trailer, gallerie, boxoffice, premi ...
- 111 Min.
Literature professor Jim Bennett leads a secret life as a high-stakes gambler. Always a risk-taker, Bennett bets it all when he borrows from a gangster and offers his own life as collateral. Staying one step ahead, he pits his creditor against the operator of an illicit gambling ring while garnering the attention of Frank, a paternalistic loan shark. As his relationship with a student deepens ...
Karoly Makk’s The Gambler, from a screenplay by Katharine Ogden and Charles Cohen and Nick Dear, is well worth seeing for its gritty homage to both the genius and the ruinous gambling obsession of Fyodor Dostoyevsky (1821-1881). The incomparable Michael Gambon as a full-throttle Dostoyevsky is alone worth the price of admission for his projection of the author’s gift of ironic alertness to ...
