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  1. CARTESIUS: Episode 1. 1:28:10. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by PAISAN ...

  2. Isabella Rossellini Seiten, Steckbrief, Kurzbio etc. - Die offizielle Isabella Rossellini Homepage Autogramm Isabella Rossellini Autogrammadresse n.n.V Bilder Isabella Rossellini Poster Fotos Kunstdrucke etc. Movies Isabella Rossellini Filme 1976 - Nur eine Frage der Zeit / Nina - Nur eine Frage der Zeit 1979 - Die Wiese 1980 - Tele Vaticano - Das Auge des Papstes 1985 - White Nights – Die ...

  3. Commons. Roberto Rossellini. Biografický portál. Roberto Gastone Zeffiro Rossellini (* 8. máj 1906, Rím, Talianske kráľovstvo – † 3. jún 1977, Rím, Taliansko) bol taliansky filmový režisér a scenárista, predstaviteľ talianskeho filmového neorealizmu. [1] [2] Jeho filmy sa zaoberajú vojnovou a sociálnou tematikou.

  4. 13. Mai 2019 · top 500 films: 4 ( Rome, Open City, Germany Year Zero, Journey to Italy, Paisan) top 100 films of the decade: 6 ( Rome, Open City, Paisan, Germany Year Zero, Journey to Italy, Il Generale Della Rovere, The Flowers of St. Francis) a strong 15 year-run by Rossellini going from 1945-1960. most overrated: Journey to Italy.

  5. 7. März 2013 · Der italienische Regisseur Roberto Rossellini Jochen Kürten 07.03.2013 7. März 2013. Er gilt als Begründer des italienischen Neorealismus. Bekannt ist Rossellini vor allem für seine frühen Filme.

  6. 2. Feb. 2022 · Through his daughter, papa Rossellini expounds on his contrarian theories of film -- not as dreams or distractions, manipulations or entertainments, but as works that engage the viewer's conscience. As is often the case on YouTube, the soundtrack slips out of synch partway through, but it's not all that distracting.

  7. Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were ...