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18. Jan. 2016 · The wealthy mathematician and university professor Alfred Pringsheim (1850–1941), Thomas Mann’s father-in-law, owned one of Germany’s most important private collections of Renaissance art – especially applied art. Amassed between 1880 and the First World War, it focused mainly on Italian maiolica and silver from German-speaking regions. Pringsheim displayed his collection in his own ...
Alfred formed one of the greatest of all Italian maiolica collections. Following Hitler's appointment as Chancellor of Germany in 1933 the Pringsheims were persecuted as Jews: that year, their house was requisitioned and demolished; in 1937 their passports were confiscated and in 1938 Alfred was expelled from the Bavarian Academy of Sciences ...
11. Dez. 2011 · Der Mäzen Alfred Pringsheim musste 1939 seine Kunstsammlung weit unter Wert verkaufen. Heute kämpfen die Erben, darunter die Familie von Thomas Mann, um eine Entschädigung.
Collecting Images [02]“Only Culture”—The Pringsheims. The exhibition “ ‘Only Culture’ – The Pringsheims” recalls one of the most important private art collections in Munich prior to 1933. The mathematician Alfred Pringsheim (1850–1941) turned his palais in Arcisstrasse into a center of culture in Munich in which a large wall ...
Pringsheim (Familie) Pringsheim ist der Name einer bekannten deutsch-jüdischen Familie aus Schlesien. Der Name wurde 1794 erstmals urkundlich erwähnt. Alle Pringsheims sind Nachfahren des Bernstädter Juden Mendel (Menachem) ben Chaim Pringsheim. Rudolf Pringsheim war ein Urenkel dieses ersten bekannten Pringsheim.
Alfred Pringsheim. * 2. September 1850 Ohlau (Schlesien) / † 25. Juni 1841 Zürich. Mathematiker, Mäzen. Alfred Pringsheim war das einzige Kind einer sehr wohlhabenden jüdischen Unternehmerfamilie. Sein Vater Rudolf Pringsheim hatte maßgeblichen Anteil an der industriellen Erschließung des Kohlenbergbaus in Preußen.
18. Jan. 2016 · The wealthy mathematician and university professor Alfred Pringsheim (1850–1941), Thomas Mann’s father-in-law, owned one of Germany’s most important private collections of Renaissance art – especially applied art. Amassed between 1880 and the First World War, it focused mainly on Italian maiolica and silver from German-speaking regions. Pringsheim displayed his collection in his own ...
