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16. Mai 2024 · Cut To Black by Barry Adamson, released 16 May 2024 1. The Last Words Of Sam Cooke 2. Demon Lover 3. Cut To Black 4. Manhattan Satin 5. These Would Be Blues 6.
17. Mai 2024 · Barry Adamson klaxon. 17/05/2024 by Guiri 6 Comments. Nice surprise this morning. Had my usual Friday look at my Spotify release radar playlist only to discover that Barry Adamson has just ‘dropped’ (sorry) his first album in 8 years, Cut to Black. Had no idea this was coming. Already 5 listens in and it’s very very good. Much ...
23. Mai 2024 · Adamson decided to follow the path of film composers like John Barry, Ennio Morricone, and Bernard Herrmann, whose work had intrigued him since childhood. His first full-length album, 1989’s Moss Side Story, was a tour de force, blending post-punk, industrial, spy guitar, and various classic movie composer quotes into a seamless 54-minute soundtrack to an ominous film noir that didn’t ...
17. Mai 2024 · I got a feeling…. [Verse 1] When I hit the switch and ride the sun into the stars. Kill the lights cos baby I’ll be driving way too far. Where this never ending trip will take you I can’t ...
17. Mai 2024 · Description. //Barry Adamson Inc//. £24.99 – 1xLP, Limited Edition Vinyl. The album swaggeringly embraces Adamson’s trademark genre-hopping compositions, covering pop, soul, jazz, hip hop and gospel. A must for fans of all things cinematic soul, Nick Cave & the Bad Seeds, post punk, Massive Attack, unloved and much more. Tracklisting:
16. Mai 2024 · Barry Adamson taught himself to play the bass overnight and joined Magazine, Manchester's most influential band of the late 70's. After a three-year stint with Nick Cave & the Bad Seeds, he released his first solo album, Moss Side Story. It raised Adamson's name as a composer of diverse complexity. Having since released nine studio albums, including the 1992 Mercury Music Prize-nominated Soul ...
18. Mai 2024 · The former Magazine bassist and Bad Seed’s new album is a stylish and charismatic collection that draws on gospel, classic soul, blues and jazz through a widescreen cinematic lens that may be mature, but certainly isn’t square. Louche but sharp, Cut to Black is by turns atmospheric and soulful but wholly witty and irreverent. Who else, for ...
