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18. Mai 2024 · Sir Anthony Ashley Cooper, son of the last, redeemed the manor from the Court of Wards in 1648. He was created Baron Ashley in 1661 and earl of Shaftesbury in 1672 and died in 1683. The manor descended with the earldom of Shaftesbury until the death of Anthony, the 5th earl, in 1811. It then passed to his only daughter Barbara, coheir through ...
20. Mai 2024 · After the Restoration, Exeter House was occupied by Anthony Ashley-Cooper, Earl of Shaftesbury, who had ... daughter of the 3rd Earl of Exeter. Views of it are given on Norden's plan of Westminster (Plate 1b) and on the plan of the west ...
1. Mai 2024 · The first three palatines, George Monck, John Berkeley, and Sir George Carteret, were “more like figureheads” during the years from 1669 to 1682 when Ashley Cooper, the first earl of Shaftesbury, took the lead in managing their affairs and the fledgling South Carolina settlement.
Vor 4 Tagen · Anthony Collins: the man and his works. J. O'Higgins. Oxford D.Phil. 1966. The political ideas of Daniel Defoe. E. Illingworth. Leeds M.A. 1961. The moral and political philosophy of Anthony Ashley Cooper, 3rd earl of Shaftesbury (1671– ...
20. Mai 2024 · Digges's later colleagues included Baptist Hicks, afterwards Viscount Campden, who had an estate in Tewkesbury and was succeeded as M.P. for the borough by his nephew, Sir William Hicks, in 1628 and by his daughter's stepson, Anthony Ashley Cooper, afterwards Earl of Shaftesbury, and the daughter's third husband, Sir Edward Alford, who together represented the borough in the Short Parliament ...
19. Mai 2024 · A small settlement under the authority of one of the Lords Proprietors, Lord Anthony Ashley Cooper, 1st Earl of Shaftesbury, was started in 1670 at Albemarle Point. Ten years later, the settlement was moved a short distance to the peninsula between the immodestly named Ashley and Cooper rivers. What happened to Charles Town in 1684?
14. Mai 2024 · 在英国的美学讨论中，沙夫茨伯里（ Anthony Ashley Cooper， 3rd Earl of Shaftesbury）提出了道德秀美（ moral grace）的概念，区分了感性的美和道德的美。在造型艺术中，则通过高贵的维纳斯·乌拉尼亚（ Venus Urania）和低俗的维纳斯·潘迪莫斯（Venus Pandemos）分别代表精神之爱和世俗之爱（ Kleiner 198）。
