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Soprano Saxophone – Wayne Shorter. Bass – Jaco Pastorius. Bongos – Don Alias. Drums – John Guerin. Guitar, Vocals – Joni Mitchell. Soprano Saxophone – Wayne Shorter. 3:23: 4: Paprika Plains. Bass – Jaco Pastorius. Drums – John Guerin. Orc ...
4. Nov. 2016 · Though I genuinely enjoyed all of those records, even 1985’s oft-maligned Dog Eat Dog, none were revelatory in the way that Mitchell’s groundbreaking experimental LPs of the mid-to-late 70’s were: The Hissing of Summer Lawns, Hejira, Don Juan’s Reckless Daughter, and even the misunderstood-in-its-time Mingus (which has held up quite well and sounds really fresh today). And these ...
9. Okt. 2021 · - Wayne Shorter (saxophone soprano) - J.d. Souther (chœurs) 1. Overture - Cotton Avenue 2. Talk To Me 3. Jericho 4. Paprika Plains 5. Otis And Marlena 6. The Tenth World 7. Dreamland 8. Don Juan's Reckless Daughter 9. Off Night Backstreet 10. The Silky Veils Of Ardor
Don Juan may best be approached in pieces, starting with Mitchell’s slinky nightclub excursion “Cotton Avenue” and ending with the rueful love meditation “The Silky Veils of Ardor”. An erotic charge animates tracks like “Dreamland” and “Jericho”, while “Otis and Marlena” offers a satiric snapshot of Florida tourists. Lyrically, Joni dives into a dense Hejira-like ...
5. Aug. 2015 · Soprano Saxophone – Wayne Shorter. Bass – Jaco Pastorius. Bongos – Don Alias. Drums – John Guerin. Guitar – Joni Mitchell. Soprano Saxophone – Wayne Shorter. 3:25: 4: Paprika Plains. Bass – Jaco Pastorius. Orchestrated By, ...
Don Juan’s Reckless Daughter ist ein 1977 erschienenes Doppelalbum von Joni Mitchell. Es ist ein experimentelles Album, das den Jazz-Fusion-Sound von Mitchells Album Hejira aus dem Vorjahr weiterführt. Der Titel ist inspiriert von Carlos Castanedas vielgelesenem Buch The Teachings of Don Juan, das erstmals 1968 erschien. Im Mittelpunkt steht der fiktive mexikanische Indianer Don Juan Matus ...
Don Juan's Reckless Daughter returns us to accompanment of Joni's guitar and wonderful lyrics about the forces within us, as exemplified by the national images of Mexico - the Eagle and the Serpent. As Joni plays through image after image of ambivalence and conflict, changing street lights, she clarifies for us that the Serpent within her fights for blind desire while the Eagle battles for ...
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