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  1. Each successive film and soundtrack since Beauty and the Beast had been slightly less attractive, and The Hunchback of Notre Dame is arguably the final impressive achievement by Menken before his work for Hercules the following year would wipe him off the Disney map until 2004's Home on the Range. This entry also represented the end of the line for Menken's unparalleled string of Oscar wins ...

  2. The Hunchback of Notre Dame: An Original Walt Disney Records Soundtrack is the soundtrack to the 1996 Disney animated feature film, The Hunchback of Notre Dame. It includes songs written by Alan Menken and Stephen Schwartz with vocals performed by Paul Kandel, David Ogden Stiers, Tony Jay, Tom Hulce, Heidi Mollenhauer, Jason Alexander, Mary Wickes, and Mary Stout, along with singles by All-4 ...

  3. 22. Jan. 2016 · I'll die while believing still. It will come when I am gone. Someday. When we are wiser. When the world's older. When we have learned. I pray. Someday we may yet live. To live and let live.

  4. 23. Aug. 2018 · Scroll down for English versionThe Hunchback of Notre Dame - Alan Menken, Arr. Hans van der Heidegespielt vom Sinfonischen Blasorchester der Ruhr-Universität...

    • 9 Min.
    • 23K
    • SBR - Sinfonisches Blasorchester der Ruhr-Universität Bochum
  5. The Hunchback of Notre Dame: An Original Walt Disney Records Soundtrack is the soundtrack to the 1996 Disney animated feature film The Hunchback of Notre Dame. It includes songs written by Alan Menken and Stephen Schwartz with vocals performed by Paul Kandel, David Ogden Stiers, Tony Jay, Tom Hulce, Heidi Mollenhauer, Jason Alexander, Mary Wickes, and Mary Stout, along with singles by All-4 ...

  6. Explore songs, recommendations, and other album details for The Hunchback Of Notre Dame (An Original Walt Disney Records Soundtrack) by Alan Menken, Stephen Schwartz. Compare different versions and buy them all on Discogs.

  7. 28. Mai 1996 · Album review. Much of this vast film score captures the sound and feeling of being in a huge cathedral, particularly the opening piece, "The Bells of Notre Dame," which exudes a churchlike ambiance with a pipe organ and the voices of the one-hundred-member Royal Opera Choir, both of which were recorded in St. Paul's Cathedral at Knightsbridge, England.