Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or The Day of Madness), K. 492, is an opera buffa (comic opera) composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784).

  2. 7. Sept. 2020 · Find out more: https://www.roh.org.uk/tickets-and-events/the-marriage-of-figaro-detailsMozart's great comic opera of intrigue, misunderstanding and forgivene...

    • 5 Min.
    • 139,1K
    • Royal Opera House
  3. The Marriage of Figaro (French: La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother .

  4. Las bodas de Fígaro. Imbault 1795 aprox. Las bodas de Fígaro (título original en italiano, Le nozze di Figaro) es una ópera bufa en cuatro actos con música de Wolfgang Amadeus Mozart sobre un libreto en italiano de Lorenzo da Ponte, basado en la pieza de Pierre Augustin Caron de Beaumarchais La folle journée, ou Le mariage de Figaro.

  5. The Marriage of Figaro , a trailblazer among musical comedies, shines in new and contemporary splendour with director Kirill Serebrennikov’s artful reading. By the way After Così fan tutte and The Marriage of Figaro , Don Giovanni will follow in 2025, thus completing Serebrennikov’s staging of Mozart’s Da Ponte trilogy.

  6. The story of The Marriage of Figaro. When the cheating Count Almaviva makes advances on Susanna, his servant’s wife-to-be, Figaro’s marriage threatens to end before it has started. The household takes sides. Deception, disguise and double cross are the result, as the warring factions make Figaro’s love-life a comic battleground.

  7. 1. Nov. 2016 · In Beaumarchais’ Le Barbier (and Rossini’s Il barbiere ), we meet Count Almaviva, a young nobleman (a tenor in Il barbiere, a baritone in Mozart’s Le Nozze) who has fallen in love with Rosina, a rich young lady residing in Dr. Bartolo’s home. Figaro and the Count conspire to steal Rosina from Dr. Bartolo, a plan that ultimately succeeds.