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Blue & Sentimental. 有人说BLUE NOTE是Hardbop的大本营，而这张忧愁感伤到耀眼的《Blue And Sentimental》无疑是Hardbop时期蓝音公司出品的好碟。. Ike Quebec的tenor sax不任性，也不爱玩炫技，但也绝非中规中矩或是呆板失神，他那感性流畅的sax仿佛是夜晚浓重的呼吸，充满摇摆 ...
Blue & Sentimental. Ike Quebec. 1962 M AX. Play on TIDAL Share. 1. Blue And Sentimental ... Other Albums by Ike Quebec. Liebestraum. Ike Quebec. 2020. Les idoles américaines du jazz: Ike Quebec, Vol. 1 . Ike Quebec. 2019. Four Classic Albums (Blue and S ...
Ike Quebec's 1961-1962 comeback albums for Blue Note were all pretty rewarding, but Blue and Sentimental is his signature statement of the bunch, a superbly sensuous blend of lusty blues swagger and achingly romantic ballads. True, there's no shortage of that on Quebec's other Blue Note dates, but Blue and Sentimental is the most exquisitely perfected. Quebec was a master of mood and ...
Blue and Sentimental is the most exquisitely perfected Ike Quebec album ever. Quebec was a master of mood and atmosphere, and the well-paced solos here are smoky, late-night magic with the greatest consistency of tone. Part of the reason is that his caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet. Two of assemble partners of this classic jazz album ...
参照 Blue & Sentimental ( 2 × 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo, 180g) AP-84098. What a cool (jazz) record! Most enjoyable due to excellent recording, mastering, cutting and an acceptable pressing job. Very quiet but Side C needs some flatening work done.
Blue and Sentimental is the most exquisitely perfected Ike Quebec album ever. Quebec was a master of mood and atmosphere, and the well-paced solos here are smoky, late-night magic with the greatest consistency of tone. Part of the reason is that his caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet. Two of assemble partners of this classic jazz album ...
Ike Quebec's timeless, big-toned tenor was a frequent visitor to Rudy Van Gelder's studio in the early sixties. But this album from December 1961 with spare, soulful backing from Grant Green, Paul Chambers and Philly Joe Jones is his masterpiece. The leaner setting works perfectly, evoking an aura of relaxation and monumentality, with the deepest blue of accents.
