Suchergebnisse
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Vor einem Tag · Music by Richard Rodgers; lyrics by Oscar Hammerstein II; book by Howard Lindsay and Russel Crouse. What it’s about: A governess falls in love with the children she’s caring for and then with ...
Vor einem Tag · Oscar Hammerstein II: Richard Rodgers: Aus dem Musical South Pacific. Third Man Theme: Anton Karas: Gespielt von Anton Karas im Soundtrack des Films The Third Man. Auch bekannt als Harry Lime Theme. This Nearly Was Mine: Oscar Hammerstein II: Richard Rodgers: Gesungen von Ezio Pinza im Musical South Pacific. Giorgio Tozzi synchronisierte für ...
Vor einem Tag · 00:02 Played at 00:02 Oklahoma 'Oh, What A Beautiful Mornin' [02'33] Composer. Rodgers, Richard | Hammerstein II, Oscar. Performers. Original Soundtrack Recording. Album
Vor einem Tag · (1943), Carousel (1945), South Pacific (1949) and The Sound of Music (1959), by Rodgers and Hammerstein, defined the era. Influential productions: Other landmark productions included West Side Story (1957), My Fair Lady (1956) and Fiddler on the Roof (1964). These shows set new standards for storytelling, choreography and production design.
Vor einem Tag · Adaptarea cinematografică a musicalului creat de Richard Rodgers și Oscar Hammerstein, lansat pe Broadway în 1959 și bazat pe autobiografia „The Story of the Trapp Family Singers”, scrisă de Maria Augusta von Trapp, „The Sound of Music / Sunetul muzicii” a avut premiera în cinematografele americane în 1965, devenind un succes comercial remarcabil. Deși criticii l-au acuzat de ...
Vor einem Tag · We’re back with another Rodgers and Hammerstein production, in the form of The King and I. The musical was based on Margaret Landon’s 1944 novel, Anna and the King of Siam, and also inspired the 1956 film. The King and I first opened on Broadway in 1951, and it was a commercial and critical success, playing 1,246 performances. It also won ...
Vor einem Tag · This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
