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  1. Catherine Rosalind Russell 1 ( Waterbury, Connecticut, 4 de junio de 1907 – Los Ángeles, 28 de noviembre de 1976) fue una actriz, comediante, guionista y cantante 2 estadounidense, que se hizo conocida por su papel como la reportera Hildy Johnson en la comedia His Girl Friday (1940) de Howard Hawks, así como por sus interpretaciones de Mame ...

  2. Factsheet. Primarily known for playing fast-talking, wisecracking career women in 1930s and '40s comedies. Her father named her after a ship called the S.S. Rosalind. Cary Grant was best man at her wedding to Frederick Brisson. The title of her 1977 autobiography, Life Is a Banquet, is taken from a line in the film Auntie Mame ("Life is a ...

  3. Hawks then turned to Rosalind Russell, who had just finished MGM's The Women (1939). Russell was upset when she discovered from a New York Times article that Cohn was "stuck" with her after attempting to cast many other actresses. Before Russell's first meeting with Hawks, to show her apathy, she took a swim and entered his office with wet hair ...

  4. Interview, Porträt, Filmografie, Bilder und Videos zum Star Rosalind Russell | cinema.de

  5. Rosalind fez um personagem que poderia lhe valer um Oscar, mas ela não concordou em ser indicada como atriz coadjuvante pelo estúdio ( Columbia Pictures ). A atriz foi casada por 35 anos com o produtor Frederick Brisson, com quem teve seu único filho em 1943. Russel morreu aos 69 anos, após uma longa batalha contra o câncer de mama.

  6. Rosalind Russells far var advokat till yrket, modern var modeskribent. Russell gjorde scendebut i slutet på 1920-talet och filmdebut 1934. Till att börja med hade hon dramatiska roller, men från tidigt 1940-tal fann hon sin nisch i komedier, där hon ofta spelade välklädda, effektiva karriärkvinnor som bombarderade sina äkta män med giftiga, syrliga kommentarer. När hon i slutet på ...

  7. Rosalind Russells far var advokat, moren var en modeskribent. Russell gjorde scenedebut i slutningen af 1920'erne og filmdebut i 1934. Til at begynde med, havde hun dramatiske roller, men fra begyndelsen af 1940'erne, fandt hun sin niche i komedier, hvor hun ofte spillede den velklædte, effektive karrierekvinder, der overdængede deres ...