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Luca Ronconi was born on March 8, 1933 in Sousse, Tunisia. At the age of twenty he received an acting degree from the Accademia d’Arte Drammatica Silvio d'Amico in Rome. Shortly afterwards he made his acting debut in starring roles in plays by Orazio Costa, Luigi Squarzina and Michelangelo Antonioni. 1 During the 1950’s and the early 1960 ...
The Luca Ronconi Fund, along with the previously acquired Palazzo Grassi/Fiat Fund and the Premio Oderzo Archives, as well as the future acquisition of the Lorenzo Capellini Fund and the agreement with the Fondazione Luigi Nono, becomes part of the programme of the Historical Archive of Contemporary Arts of La Biennale di Venezia, which aims to activate greater opportunities for research at ...
Luca Ronconi (Sussa, 8 de març de 1933 - Milà, 21 de febrer de 2015) va ser un actor, director teatral i director d'òpera italià. Biografia. Ronconi va néixer a Sussa, Tunísia. Passa l'infantesa i l'adolescència a Tunísia, on la ...
15. Juni 2017 · Luca Ronconi was born on March 8, 1933 in Sousse, Tunisia. At the age of twenty he received an acting degree from the Accademia d’Arte Drammatica Silvio d’Amico in Rome. Shortly afterwards he made his acting debut in starring roles in plays by Orazio Costa, Luigi Squarzina and Michelangelo Antonioni. During the 1950’s and the early 1960 ...
Designed by Marco Zanuso and inaugurated in 1998 to the notes of Mozart’s Così fan tutte, the last production to be directed by Giorgio Strehler, the Teatro Strehler is the perfect stage for the grand productions of Luca Ronconi and other masters of the International scene, from Robert Lepage to Peter Brook, from Robert Wilson to Lev Dodin.
27. Feb. 2015 · GESTORBEN: LUCA RONCONI, 81 Zur Merkliste hinzufügen GESTORBEN: CARMINE SCHIAVONE, 71 Zur Merkliste hinzufügen John von Düffel: »Ein Oscar Wilde unserer Zeit« Zur Merkliste hinzufügen
7. Dez. 2021 · In 1966, the Italian critics labeled Luca Ronconi a “producer of madness,” not only for the themes he chose but for the frenzied characterization typical of the acting. Later, after Orlando Furioso (1969), [see T47], they saw him as a conjurer of extraordinary medieval festivals, through a play of simultaneous scenes that bordered on the ...
