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Ingrid Lilian Thulin, född 27 januari 1926 i Sollefteå stad[2] i Västernorrlands län, död 7 januari 2004 i Stockholm, var en svensk skådespelare, manusförfattare och regissör.[3] For faster navigation, this Iframe is preloading the Wikiwand page for Ingrid Thulin .
Ingrid Thulin dead in Espionage: The Incurable One. Categories. Community content is available under CC-BY-SA unless otherwise noted. Horror. Ingrid Thulin (1926 - 2004) The Silence (Tystnaden) (1963) [Ester]: Dies of an unspecified respiratory illness (presumably tuberculosis) in her hotel room, after sending away her sister (Gunnel Lindblom ...
Ingrid Lilian Thulin (27. tammikuuta 1926 Sollefte å – 7. tammikuuta 2004 Tukholma) oli kansainvälisen uran luonut ruotsalainen näyttelijä, joka muistetaan parhaiten useista rooleistaan Ingmar Bergmanin ohjaamissa elokuvissa. Näyttelijäksi. Thulin ...
7. Jan. 2004 · Ingrid Lilian Thulin (Swedish pronunciation: [ˈɪŋːrɪd tɵˈliːn]; 27 January 1926 – 7 January 2004) was a Swedish film actress. Thulin was born in Sollefteå, Ångermanland, northern Sweden, the daughter of Nanna (née Larsson) and Adam Thulin, a fisherman. She took ballet lessons as a girl and was accepted by The Royal Dramatic Theatre ("Dramaten") in Stockholm 1948. For many years ...
Ingrid Thulin (ur. 27 stycznia 1926 w Sollefteå, zm. 7 stycznia 2004 w Sztokholmie) – szwedzka aktorka filmowa i teatralna. Jako dziewczynka brała lekcje baletu. W 1948 została przyjęta do Królewskiego Teatru Dramatycznego w Sztokholmie.
D'Ingrid Thulin an de Regisseur Ingmar Bergman beim Tournage vun Tystnaden (1963). D' Ingrid Lilian Thulin, gebuer de 27. Januar 1926 zu Sollefteå, Ångermanland, a gestuerwen de 7. Januar 2004 zu Stockholm, war eng schweedesch Fimschauspillerin . Si ass bekannt fir hir jorelaang Zesummenaarbecht mam Regisseur Ingmar Bergman .
14. Aug. 2022 · best film: Cries & Whispers. Ingird Thulin is in five Ingmar Bergman films from 1957 to 1972 (Bergman was at the height of his powers, in particular, during this stretch) so she is loaded with options here in this category. Wild Strawberries, Winter Light and The Silence all warrant consideration. Even Visconti’s The Damned (also during that era- from 1969) would give a cinephile reason to ...
