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Cedric Gibbons, właśc. Austin Cedric Gibbons (ur. 23 marca 1893 w Dublinie, zm. 26 lipca 1960 w Los Angeles) – amerykański scenograf filmowy pochodzenia irlandzkiego. Był także członkiem założycielem Amerykańskiej Akademii Sztuki i Wiedzy Film ...
Austin Cedric Gibbons ( Dublin, 23 de março de 1893 — Los Angeles, 26 de julho de 1960) foi um diretor de arte e designer de produção irlandês para a indústria cinematográfica. Ele é creditado como um dos fundadores da Academia de Artes e Ciências Cinematográficas e criador da estatueta do Óscar em 1928, prêmio para qual ele foi ...
Biografia. Cedric Gibbons nacque a New York nel 1890 dall'architetto irlandese Austin P. Gibbons e dall'americana Veronica Fitzpatrick. Nonostante fosse in possesso di un certificato di nascita statunitense, Gibbons affermò sui moduli di censimento di essere nato in Irlanda, a Dublino, e che la sua famiglia era emigrata negli Stati Uniti durante la sua prima infanzia.
5. Dez. 2017 · La respuesta es Cedric Gibbons, uno de los directores artísticos más influyentes de la historia del cine. 1. El sueño americano. Gibbons nació en Dublín en 1893. Al poco tiempo emigró con su ...
20. Feb. 2018 · Cedric Gibbons was born in Dublin in 1893. The son of an architect, Austin and his wife, Veronica, Cedric moved to America sometime around the beginning of the 20th century, settling in New York. In 1924, Cedric met Sam Goldwyn who took him on as a set designer in his fledgling movie company. Goldwyn’s film studio merged with the Metro Picture Corporation and the Louis B. Meyer picture ...
15. Jan. 2013 · Gibbons the man was a larger-than-life character who had as much style as any star of the day, maybe more. He lived the Art Deco life. The magnificent manse that he built for himself and first wife Delores Del Rio is a masterpiece. Annette Tapert wrote about the house in her blockbuster book ‘The Power of Glamour: The Women Who Defined the ...
Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and ...
