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“Beautiful”, “talented”, “iconic”, these are all words to describe many of the starlets that appeared in films in the 1970s. They’d sell out movie theaters and have their posters plastered on walls. But, a lot’s changed since the 70s, including these young beauties. Let’s see how they’ve changed between then and now.
17. März 2020 · Lady Bird (2017) Lady Bird, starring Saoirse Ronan and Laurie Metcalf. Photography Moviestore/Shutterstock. From their tense shopping trips to shouting matches in the car, Lady Bird (Saoirse Ronan) and her mother, Marion (Laurie Metcalf), have a fraught relationship, but one bound by mutual love and admiration.
Without further ado, let’s take a look at the ten best Japanese films of the 70s. 10. Battles Without Honor and Humanity – Kinji Fukasaku (1973) “Battles Without Honor and Humanity,” directed by Kinji Fukasaku, is a gritty yakuza film that revolutionized the Japanese gangster genre. Set in the chaotic post-war Hiroshima, it follows the ...
100 Notable horror films and franchises that were released or began in the 70s (1970-1979). In the case of sequels, they are placed next to their predecessors, everything else is by year of release. Not all sequels are included, only the one's held in high regard on the horror market. If you just want a well respected all round horror film: ctrl+F and type ' critic's choice ' Follow me on ...
Watch Young Mothers in the 70s. 2016. 1 hr 32 min. In the 1970s, a home on the outskirts of Paris took in teenage mothers. It made no difference whether the baby was the product of love or rape, the institution's sole concern was getting the girls back on the right track. But the day rebellion struck, the whole system came to a grinding halt.
Box office. $300.5 million [6] Superman (also marketed as Superman: The Movie) is a 1978 superhero film based on the DC Comics superhero Superman, played by Christopher Reeve. It is the first of four installments in the Superman film series starring Reeve as Superman. The film was directed by Richard Donner based on a screenplay by Mario Puzo ...
In the 1970s, a home on the outskirts of Paris took in teenage mothers. It made no difference whether the baby was the product of love or rape, the institutions sole concern was getting the girls back on the right track
