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  1. Duet for Cannibals. Directed by Susan Sontag • Arthouse • 1969 • Sweden • Swedish with English subtitles. Starring Adriana Asti, Gosta Ekman, Lars Ekborg. Essayist, novelist, critic, and all-around intellectual dynamo Susan Sontag made her directorial debut with this definition-defying, dryly funny psychological serio-comedy revolving ...

  2. 25. Juni 2020 · Duet for Cannibals is a veritable four-hander, if you will. It starts with a post-collegiate engaged couple, Tomas and Ingrid (Gösta Ekborg and Agneta Ekmanner), cohabitating in all their generic late-1960s political activism tropes. Next to a faux-military Vietnam poster, up goes the likeness of someone called Arthur Bauer (Lars Ekborg).

  3. 18. Nov. 2019 · Duet for Cannibals is one of the restored classics that is part of New York Metrograph theater’s new film distribution program. The new buyer/distributor role at Metrograph – started within the past year – was exciting news to me, so I mention it here, being a recent transplant from Chicago, where I long prayed at the altar of the Music Box theater, which has a similar business model.

  4. Duet for Cannibals DRAMA Essayist, novelist, critic, cinephile, and all-around intellectual dynamo Sontag made her directorial debut with this definition-defying, dryly funny psychological serio-comedy, the result of a Swedish studio’s invitation to her to make a film in Stockholm.

  5. Duet For Cannibals Duett för kannibaler. Susan Sontag , Sweden, 1969. 105 mins. 6.8 / 10 (163) 0. Drama Avant-Garde Comedy Synopsis. When a German Marxist revolutionary retires to Sweden with his wife, he hires young Swedish secretary Tomas to move in an ...

  6. Susan Sontag's 1969 directorial debut is a dryly funny psychological serio-comedy that revolves around a quadrangular, partner-swapping relationship.

  7. 4columns.org › koestenbaum-wayne › duet-for-cannibalsDuet for Cannibals | 4Columns

    Duet for Cannibals, written and directed by Susan Sontag, now playing at Metrograph, 7 Ludlow Street, New York City. 1. Susan Sontag’s first film, Duet for Cannibals (1969), begins with the sound of repeated knocking or hammering, like the Commendatore in Mozart’s Don Giovanni, announcing with Mephistophelian ardor his return to the scene of Faustian libertinage.