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  1. A portrait of Michael White, the enfant terrible of London's theatre-land in the 70's, the man responsible for introducing Yoko Ono, Merce Cunningham and Pina Bausch to the international audiences. He challenged censorship with his hit erotic revue Oh! Calcutta!, struck gold with The Rocky Horror Picture Show and A Chorus Line and produced Monty Python and the Holy Grail, My Dinner with Andre ...

  2. The Last Impresario. A portrait of the prolific theatre impresario Michael White, who produced more than 300 shows and movies and introduced the likes of Yoko Ono to international audiences. Documentary 2014 1 hr 28 min. 94%.

  3. 13. Okt. 2013 · The kind of glitzy, gossipy, celebrity-jammed story that grabs you from the first frame, The Last Impresario is an affectionate profile of the colorful and prolific stage, film and television ...

  4. Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, playboy, gambler, bon vivant and friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with ...

  5. Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, playboy, gambler, bon vivant, and eccentric friend of the rich and famous, Michael transformed Britain’s cultural scene in the 1970s, producing over 200 shows and movies including Oh!

  6. 30. Sept. 2014 · Kate Moss, John Cleese—mit „The Last Impresario“ setzen sie ihm alle ein Denkmal. Wir haben mit dem Mann gesprochen, der unsere Generation beeinflusst hat wie kaum ein anderer.

  7. The Last Impresario is a 2013 documentary film about prolific British theatre impresario and film producer Michael White. The film was directed by Gracie Otto, and made its world premiere at the BFI London Film Festival in October 2013, where it was positively received by critics.