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    Riesige Auswahl an CDs, Vinyl und MP3s. Kostenlose Lieferung möglich. Erhalten auf Amazon Angebote für chordettes im Bereich Musik

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  1. 31. März 2020 · Chordettes’ smooth harmony pleases audiences. Tampa Bay Times (St. Petersburg, Florida) November 11, 1959 “Hail, Hail, the Gang’s All Here” harmonized the Chordettes for their opening number at the Colonial Inn Monday night. And the gang was all there for what you might call a St. Petersburg song jubilee!

    • 7 Min.
  2. music.youtube.com › channel › UCbN48WfBpHTGcj4yxl8RevgThe Chordettes - YouTube Music

    The Chordettes were an American female vocal quartet, specializing in traditional pop music. They are best known for their 1950s hit singles "Mr. Sandman" and "Lollipop", both of which sold over a million copies.

  3. Give him two lips like roses and clover. Then tell him that his lonesome nights are over. Sandman, I'm so alone. Don't have nobody to call my own. Please turn on your magic beam. Mr. Sandman ...

  4. tr.wikipedia.org › wiki › The_ChordettesThe Chordettes - Vikipedi

    Carol Buschmann. Lynn Evans. Janet Ertel. Margie Latzko. Dorothy “Dottie” Schwartz. Nancy Overton. Alice Mae Spielvogel. Joyce Weston. The Chordettes, Amerikan kadın singing quartet (4 kişilik grup, sahnede 4 kişi aynanda performans sergiler) grubudur.Tarzı geleneksel pop müziktir .

  5. The Chordettes Материал из Википедии — свободной энциклопедии Текущая версия страницы пока не проверялась опытными участниками и может значительно отличаться от версии , проверенной 6 декабря 2020 года; проверки требуют 18 ...

  6. The Chordettes war ein US-amerikanisches A-Cappella-Sängerquartett. Es wurde 1946 in Sheboygan, Wisconsin gegründet. Die ursprünglichen Mitglieder der Gruppe waren Janet Ertel (1913 - 4. November 1988), Carol Bushman (ihre Schwägerin), Dorothy Schwartz und Jinny Osborn (oder Lockard) (25.… mehr erfahren. 50s.

  7. The Chordettes were one of the longest lived vocal groups with beginnings in the mainstream pop and vocal harmonies of the 1940s and early 1950s. Although the arrangements owed more to The Andrews Sisters than doo-wop, they did, unlike many of their peers, prove fairly adaptable to the rock and roll era.