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2. Mai 2024 · Morimura Yasumasa (born 1951, Ōsaka, Japan) is a Japanese artist known for his large-scale self-portraits that are often superimposed on art-historical images or on pictures of iconic individuals. After graduating (1978) from Kyōto City University of Arts, Morimura served as an assistant at the university and devoted himself to painting , drawing, photography , and wood-block art.
Yasumasa Morimura, born 1951 in Osaka, is a Japanese artist whose work deals with issues of cultural and sexual appropriation. Morimura studied art at Kyoto City University of Arts and in 1985 made his first avant-garde self-portrait based on an iconic portrait of Vincent Van Gogh. Since then, Morimura has taken iconic images from pop culture, the media, and art history and deconstructed them ...
Yasumasa Morimura (1951, Osaka, Japan). Lives and works in Osaka, Japan. Yasumasa Morimura is a renowned Japanese appropriation artist who has been working for over three decades as a conceptual photographer and filmmaker. Defining himself as a cross between an actor and an artist, Morimura is known for his large-scale self-portraits that are ...
Yasumasa Morimura. Japanese. 1951, Osaka, Japan. Works in the Collection. Yasumasa Morimura. Portrait of Rembrandt's Mother. 1994. Yasumasa Morimura. Self-Portrait (Actress) / After Red Marilyn . 1996. Yasumasa Morimura. An Inner Dialogue with Frida Kahlo ...
20. Feb. 2020 · 25 January – 12 April 2020. by KANAE HASEGAWA. The Japanese artist Yasumasa Morimura’s exhibition Ego Obscura, Tokyo 2020 is being staged at the Hara Museum of Contemporary Art in Tokyo, Japan. The exhibition consists of two elements, an hour-long video work entitled Ego Obscura and a lecture performance written and performed by Morimura.
13. Juni 2023 · Prolífica, seductora, extravagante, mordaz y poco convencional. La obra de Yasumasa Morimura (Osaka, 1951) deslumbra en la galería Juana de Aizpuru –con la que colabora desde hace más de 20 ...
Yasumasa Morimura, Futago, 1990. Morimura has always played with the ontological as well as political strings that command the dissemination of Western imagery. Underlying his work is a lucid understanding of the power of well known images, a power he appropriates to deliver a whimsical but strong contestation of the hegemonic canons of art ...
