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Jazz at Lincoln Center operates three concert venues in Frederick P. Rose Hall inside the Time Warner Center in New York City's Columbus Circle. With live jazz nightly in Dizzy's Club, as well as ...
6. Mai 2020 · Listen to the radio show: https://www.npr.org/2020/05/06/851561846/jazz-and-art-take-center-stage-to-form-portraits-of-americaJazz and the visual arts have a...
- 41 Min.
- 248,8K
- Jazz Night in America
Wynton Marsalis serves as Managing and Artistic Director of Jazz at Lincoln Center. Born in New Orleans, Louisiana in 1961 to a musical family, Marsalis was gifted his first trumpet at age 6 by Al Hirt. By 8, he began playing in the famed Fairview Baptist Church Band led by Danny Barker, and began his formal training on trumpet at 12.
To celebrate the musical giant’s 125th birthday, the JLCO salutes their greatest inspiration by performing some of his more socially conscious repertoire—music directed by Ted Nash. WHAT TO EXPECT. A celebration of 125 years of the maestro Duke Ellington. The Jazz at Lincoln Center Orchestra salutes Ellington as a musician - and as a human.
4. Juli 2023 · Elbphilharmonie Hamburg: JLCO-Konzert ist ausverkauft – nur wo steckt Wynton Marsalis? Ursprünglich sollte das JLCO bereits im Oktober 2021 in Hamburg spielen, doch die Pandemie verhinderte den ...
Since 1988, he has led the Jazz at Lincoln Center Orchestra, a 15-piece assemblage of virtuosos which has contemporized the notion of a "big band," simultaneously honoring the rich heritage of Duke Ellington and Louis Armstrong while debuting a stunning variety of commissions from illustrious names including Joe Henderson, Christian McBride, Freddie Hubbard, Joe Lovano and of course, Wynton ...
JLCO Performances • 1h 52m. The Jazz at Lincoln Center Orchestra with Wynton Marsalis performs Miles Davis’ groundbreaking music from the 1940s–60s. Davis’ work during these years is unparalleled in its stylistic range, impact, and enduring popularity, and this show will explore the pivotal musical moments on his quest towards innovation.
