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  1. Loncraine received early training in the features department of the BBC, including a season directing items for Tomorrow's World. Before his career in film, he was a sculptor and the first to create a chrome Newton's cradle. In 1996, he won the Silver Bear for Best Director at the 46th Berlin International Film Festival for Richard III.

  2. Richard Loncraine est un réalisateur britannique, né le 20 octobre 1946 à Cheltenham dans le comté de Gloucestershire . En 1996, il remporte l' Ours d'argent de la meilleure réalisation au 46 e Festival du Film de Berlin pour Richard III [ 1 ] .

  3. Richard Loncraine. Director: Richard III. Richard Loncraine has earned great acclaim for his work in film, television and commercials. He studied sculpture at the Central School of Art before attending the Royal College of Art Film School. He spent three years working for the BBC before moving into commercials. Since those days he has successfully alternated directing films with directing ...

  4. Richard Loncraine (Cheltenham, 20 ottobre 1946) è un regista britannico Biografia. Con l'horror Demonio dalla faccia d'angelo del 1977 ha vinto il Grand ...

  5. Richard Loncraine is a British film and television director. Loncraine received early training in the features department of the BBC, including a season directing items for Tomorrow's World. Before his career in film, he was a sculptor and the first to create a chrome Newton's cradle.

  6. Wide-Eyed and Legless. Wide-Eyed and Legless (known in the US as The Wedding Gift) is a 1993 made-for-TV British drama film, directed by Richard Loncraine starring Julie Walters, Jim Broadbent, Sian Thomas and Thora Hird . It is based on the 1989 book Diana's Story by the writer Deric Longden, who co-wrote the script with Jack Rosenthal. [1]

  7. Richard Loncraine. The film began shooting in April 1984 with Richard Loncraine (Brimstone & Treacle) as director and a budget of $18 million. However, after three weeks of shooting in Iceland and Budapest, producers became concerned about a mixture of budget overruns, creative differences and poor quality dailies.