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Based on chapter 3 “The musical Work and its score” of Roman Ingarden’s The Work of Music and the Problem of its Identity, this paper examines the semiotic theory on which Ingarden bases his analysis of music. at first sight, Ingarden’s semiotic position seems staunchly traditional, fitting the augustinian definition according to which the sign is “a thing which of itself makes some ...
Roman Ingarden (1893-1970), one of Husserl’s closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial Controversy over the Existence of the World, written during the years of World War II in occupied Poland, consists of a fundamental defense of realism in phenomenology.
sophy in Brussels in 1953 entitled Roman Ingarden, ou une nouvelle position du proble'me idealisme-realisme (Roman Ingarden, or the New Position of the Idealism Realism Problem) was the very first time that Ingarden's thought was directly presented in Western Europe".2 Next an article about Ingarden's philosophy by
Roman Ingarden and His Time. WHEN ROMAN INGARDEN died suddenly. on June 14, 1970, the body of his writings on philosophy of art was certainly more ex- tensive than that of any other Polish thinker of his time. It also encompassed al- most half of his output of writings on phi- losophy. The other half consisted of his fa- mous treatise ...
Roman Ingarden (1973a, 1973b) developed an ontology of the literary artwork with implications for a theory of reader experience. An upshot of the fact that narratives represent only incompletely ...
Roman Witold Ingarden (ur. 5 lutego 1893 w Krakowie [1] , zm. 14 czerwca 1970 tamże) – polski filozof , profesor Uniwersytetu Lwowskiego (1925–1944), po wojnie profesor toruńskiego Uniwersytetu Mikołaja Kopernika (1945–1946) i Uniwersytetu Jagiellońskiego (1946–1950 i 1956–1963).
The Poetics of Roman Ingarden. H. H. Rudnick, Eugene H. Falk. Published 10 October 1981. Philosophy, Art. World Literature Today. Falk presents the first comprehensive exposition of this great Polish phenomenologist's views of literature as art, drawing on Ingarden's writing that are relevant to the ontology of the literary work of art and to ...
