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  1. Das Bildnis des Dorian Gray (Originaltitel: The Picture of Dorian Gray) ist der einzige Roman des irischen Schriftstellers Oscar Wilde. Eine erste Fassung erschien 1890 in Lippincott’s Monthly Magazine aus Philadelphia, 1891 wurde bei dem Londoner Verlag Ward, Lock and Co. die heute bekannte, überarbeitete und erweiterte Fassung ...

  2. The Picture of Dorian Gray is a philosophical novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine. The novel-length version was published in April 1891.

  3. 9. Mai 2024 · The Picture of Dorian Gray, moral fantasy novel by Irish writer Oscar Wilde, published first in Lippincott’s Monthly Magazine in 1890 and as a book in 1891. It is an archetypal tale of a young man who purchases eternal youth at the expense of his soul and a romantic exposition of Wilde’s own Aestheticism.

  4. The Picture of Dorian Gray by Oscar Wilde, published in 1890, stands as a classic exploration of morality and the consequences of unchecked desires. Set in late 19th-century London, the novel follows the life of Dorian Gray, a young man enthralled by the hedonistic ideals of of a man called Lord Henry. The story takes a dark turn when Dorian ...

  5. 30. Nov. 2014 · Protagonist ist der zwanzigjährige Dorian Gray, der trotz eines schändlichen Lebenswandels sein unschuldig jugendliches Äußeres behält und dessen gemaltes Porträt statt seiner altert. Zu spät erkennt Dorian, dass dies seine Selbstzerstörung vorantreibt. Ort der Handlung ist London.

  6. 1,554,811 ratings71,612 reviews. Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England.

  7. The Picture of Dorian Gray is Oscar Wilde’s one novel, published originally in 1890 (as a serial) and then in book form the following year. The novel is at once an example of late Victorian Gothic horror and, in some ways, the greatest English-language novel about decadence and aestheticism, or ‘art for art’s sake’.

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