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  1. Grainger’s development as an arranger can be roughly divided into three periods. His earliest work as an arranger of traditional music can be dated to 1898. when he took the song ‘Willow Willow’ from William Chappell’s ‘Old English Music’ and wrote a new accompaniment to the existing melody. This was soon followed by 25 traditional ...

  2. Percy Grainger en 1922, en la cima de su popularidad como pianista y compositor. Percy Aldridge Grainger ( Melbourne, 8 de julio de 1882- White Plains, Nueva York, 20 de febrero de 1961) fue un compositor, arreglista y pianista nativo de Australia y posteriormente nacionalizado estadounidense. A lo largo de su carrera tuvo un papel prominente ...

  3. Grainger, Percy: I-Catalogue Number I-Cat. No. IPG 24 Movements/Sections Mov'ts/Sec's: 1 First Pub lication. 1905 Dedication For Léon Delafosse in admiration & friendship. Composer Time Period Comp. Period: Early 20th century: Piece Style Early 20th century: Instrumentation piano Related Works The Nutcracker (ballet), Op.71, by Pyotr Tchaikovsky

  4. Livraison gratuite dès 25 € d'achats et des milliers de CD. Tout sur Percy Grainger: Schumann, Strauss & Tchaikovsky - , CD Album et tous les albums Musique CD, Vinyle...

  5. See Full Discography. Percy Grainger Plays Schumann & Brahms (1992) Percy Grainger, Ferruccio Busoni & Egon Petri (1993) Bach: Organ Transcriptions; Chopin: Sonatas Nos. 2 & 3 (1993) Grand Piano: Schumann (1996) Percy Grainger: Schumann, Strauss & Tchaikovsky (1997) Percy Grainger Plays Grieg & Liszt (1997)

  6. Percy Grainger, Ferruccio Busoni & Egon Petri (1993) Bach: Organ Transcriptions; Chopin: Sonatas Nos. 2 & 3 (1993) Grand Piano: Schumann (1996) Percy Grainger: Schumann, Strauss & Tchaikovsky (1997) Percy Grainger Plays Grieg & Liszt (1997) Percy Grainger plays Grainger [Nimbus] (1997) Percy Grainger in Performance: Grieg, Grainger, Schuman ...

  7. His setting of the “Irish Tune” (the first version dates from 1902, with the orchestral version following in 1920) is a study in evolving musical textures that flow naturally from one to another, without seeming to repeat. It opens with a sonorous low statement of the tune, followed by phrases that feature a kaleidoscope of orchestral colors.