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1. www.ostendorff.de › kuenstler › christo-jeanne-claudeBiografie - Christo & Jeanne-Claude - Ostendorff

   www.ostendorff.de › kuenstler › christo-jeanne-claude

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   Christo und Jeanne-Claude: Verhüllte Böden und Treppen und Verhängte Fenster, Museum Würth, Künzelsau, Deutschland, 1994-95. 9.000 qm Baumwollstoff, 3.450 qm Packpapier und 10.000 m Klebeband. Dauer: 3 Monate. Christo und Jeanne-Claude: Verhüllter Reichstag, Berlin, Deutschland, 1971-95. 100.000 qm Polypropylengewebe, 15.600 m Seil und 200 Tonnen Stahl. Dauer: 14 Tage.

2. magazine.artland.com › subtracting-reality-revealing-beautyThe Unique Legacy of Christo and Jeanne-Claude - Artland Magazine

   magazine.artland.com › subtracting-reality-revealing-beauty

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   Christo and Jeanne-Claude’s enduring artistic collaboration was also to begin, and the couple seemed to have a clear and determined plan; in a 1958 letter, Christo wrote: “ Beauty, science, and art will always triumph ”. Whist at the time it was their purpose and strategy, today it forms the bedrock of their legacy.

3. christojeanneclaude.net › artworks › early-worksChristo and Jeanne-Claude

   christojeanneclaude.net › artworks › early-works

   Since 1958 Christo and Jeanne-Claude have created works using barrels. They proved to be suitable working material for Christo because of their sculptural effect and their low cost, and they soon became a dominant factor in the artists' work.

4. christojeanneclaude.net › artworks › dockside-packagesChristo and Jeanne-Claude

   christojeanneclaude.net › artworks › dockside-packages

   For Stacked Oil Barrels , Christo and Jeanne-Claude used a large number of oil drums, employing cranes and other machinery to stack them into large structures. With the permission of the Port Authority, all the materials were borrowed from the dockworkers. Stacked Oil Barrels and Dockside Packages were composed of separate parts of various ...

5. christojeanneclaude.net › artworks › valley-curtainChristo and Jeanne-Claude

   christojeanneclaude.net › artworks › valley-curtain

   The Floating Piers was first conceived by Christo and Jeanne-Claude in 1970. It was Christo's first large-scale project since Christo and Jeanne-Claude realized The Gates in 2005, and since Jeanne-Claude passed away in 2009. As with all of Christo and Jeanne-Claude's projects, The Floating Piers was funded entirely through the sale of Christo's ...

6. christojeanneclaude.net › artworks › early-drawings-and-paintingsChristo and Jeanne-Claude

   christojeanneclaude.net › artworks › early-drawings-and-paintings

   The Floating Piers was first conceived by Christo and Jeanne-Claude in 1970. It was Christo's first large-scale project since Christo and Jeanne-Claude realized The Gates in 2005, and since Jeanne-Claude passed away in 2009. As with all of Christo and Jeanne-Claude's projects, The Floating Piers was funded entirely through the sale of Christo's ...

7. www.artsy.net › article › artsy-editorial-understandingUnderstanding Christo and Jeanne-Claude through 6 Pivotal...

   www.artsy.net › article › artsy-editorial-understanding

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   19. Juni 2018 · Along with his late wife Jeanne-Claude, Christo has spent the last 57 years repeatedly redefining the parameters of installation and land art, creating a body of work that defies categorization and recognizes no limit to possibility. Using cheap, commonplace materials—fabric, tape, plastic—and with a practice supported via the sale of ...