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7. Nov. 2012 · Wynton Marsalis Eric Clapton - Play the Blues Live From Jazz At Lincoln Center 2011
- 4 Min.
- 276,2K
- viktor5530
Led by renowned trumpeter and artistic director Wynton Marsalis, the 15-piece orchestra maintains a heavy touring schedule, devoting roughly six months annually to appearances around the U.S. and at prominent international venues. Additionally, the JLCO participates in many Jazz at Lincoln Center educational events (for both advanced and younger students). Along with their live performances ...
28. Nov. 2019 · Wynton Marsalis is a musician who is the very incarnation of Third Stream. He was born in New Orleans, the birthplace of jazz, studied jazz with his father Ellis, a noted jazz pianist, and classical music at school. At 17, Wynton was the youngest musician admitted to the Tanglewood Music Center. He studied at Juilliard and planned on a career ...
“It sits alone in the history of jazz,” Wynton Marsalis says of Duke Ellington’s groundbreaking masterpiece Black, Brown & Beige. Since its 1943 debut at Carnegie Hall, the piece – a sprawling survey of African American history – has been heralded as one of the most significant compositions in American orchestral music. Now, the Jazz at Lincoln Center Orchestra with Wynton Marsalis ...
This splendid score makes obvious the fact that Wynton Marsalis has a talent for composition that may someday equal – if not exceed – his unprecedented instrumental gifts. Part of the excitement of this recording, then, is that it gives us more than a slight indication of what we should expect from him as time takes us to the turn of the century. Consequently, the music for Tune In ...
Wynton Marsalis - Full ConcertRecorded Live: 8/13/2005 - Newport Jazz Festival (Newport, RI)More Wynton Marsalis at Music Vault: http://www.musicvault.comSub...
- 56 Min.
- 619,2K
- WyntonMarsalis on MV
Congo Square, a ground-breaking new work written by Wynton Marsalis with Ghanaian drum master Yacub Addy, debuted in Katrina-ravaged New Orleans in the spring of 2006 before a wildly enthusiastic audience in Congo Square (inside Louis Armstrong Park). Congo Square was the only place in America where African slaves were allowed to perform their own music and dance in the 1700s-1800s ...
