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RECORDED 1973. Title Brooklyn Brothers. Author Cecil Payne. Label Xanadu. EAN 8435395500736. Reference XND 148225. LABEL CODE 906089. STYLE JAZZ. DISCS NUMBER 1.
23. Juni 2022 · Baritonist Cecil Payne is one of the great bebop veterans, but he tends to be overlooked, since he didn't record that much as a leader. This obscure recording finds Payne matched up with trumpeter Clark Terry, pianist Duke Jordan, bassist Ron Carter and drummer Charlie Persip for renditions of six Charlie Parker songs, plus Payne's "Communion." The swinging interpretations (highlighted by ...
Sites:: Wikipedia, bluenote.com, radioswissjazz.ch, All Music, rateyourmusic.com, adp.library.ucsb.edu: In Groups:: Bennie Green And His Orchestra, Billy Eckstine And His Orchestra, Cannonball Adderley All Stars, Cecil Payne & His Orchestra, Cecil Payne Quintet, Cecil Payne Sextet, Coleman Hawkins All Stars, Coleman Hawkins Quintet, Dameronia, Dizzy Gillespie And His Orchestra, Dizzy Gillespie ...
Blouson mit Zipper. Preis inkl. MwSt., zzgl. Versandkosten. Der Blouson von CECIL ist eine leichte Damenjacke mit einem Reißverschluss, verschließbaren Taschen und Rippbündchen. Diese Jacke ermöglicht es, coole und lässige Outfits zu kreieren. Mit seinem sportlichen Design ist er ein vielseitiger Begleiter für unterschiedliche Gelegenheiten.
20. Nov. 2018 · Performer: James Moody and His Bop Men; Dave Burns; Elmon Wright; James Moody; Ernie Henry; Cecil Payne; Hen Gates; Nelson Boyd; Chano Pozo; Art Blakey Writer: Fuller; Pozo; "Gil" Fuller. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil ...
Flute 'n the Blues. (1956) Moody's Mood for Love. (1956) Flute 'n the Blues is an album by saxophonist James Moody recorded in 1956 and released on the Argo label. [1] [2] The album was Moody's first recording featuring him on flute. [3]
Cecil Payne, Greenwich Village Jazz Festival, Washington Square Park NY 1984. Photo by Brian McMillen. Debutó con el trombonista J.J. Johnson, tocando el saxo alto, tras su servicio militar (1946). Tras pasarse al grupo de Roy Eldridge, ese mismo año, opta por el saxo barítono y entra a formar parte de la big band de Dizzy Gillespie (1947-1949).
