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  1. Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents. Yet today his work is virtually unknown outside of Sweden, eclipsed by the filmography of his occasional collaborator (and frequent rival) Ingmar Bergman. This comprehensive introduction—the first ever in English—follows Ekman’s career ...

  2. The Coffin: Directed by Marcel Cravenne. With Jerome Thor, Hasse Ekman, Gunnel Broström, Georg Løkkeberg. Cannon is given the onerous task of escorting the coffin containing the remains of a dead Western journalist from behind the Iron Curtain.

  3. Var sin väg: Directed by Hasse Ekman. With Gunn Wållgren, Hasse Ekman, Uno Henning, Marianne Aminoff. A drama about a doctor and his wife. She used to be an actress but became a homemaker when she married.

  4. Banketten: Directed by Hasse Ekman. With Ernst Eklund, Elsa Carlsson, Sture Lagerwall, Eva Henning. Jacob Cotten is a rich banker quickly approaching his 60th birthday.

  5. Hasse Ekman skabte i 1940 sin egen film, skrev selv manuskript og instruerede Med dej i mina armar, siden kom adskillige manuskripter, bl.a. Op med lille Martha, som kom i en dansk udgave i 1946 instrueret af Asbjørn Andersen. Fik sin største succes rent kunstnerisk med filmen Flicka och hyacinter fra 1950.

  6. Hasse Ekman (born Hans Gösta Ekman; 10 September 1915 – 15 February 2004) was a Swedish director, actor, writer and producer for film, stage and television. Read more on Wikipedia. Since 2007, the English Wikipedia page of Hasse Ekman has received more than 58,514 page views. His biography is available in 27 different languages on Wikipedia.

  7. www.artforum.com › columns › nick-pinkerton-on-hasse-ekman-theSwede Smell of Success - Artforum

    9. Sept. 2015 · Hasse Ekman, Flicka och hyacinter (Girl with Hyacinths), 1950, 35 mm, black-and-white, sound, 89 minutes. Eva Henning. Eva Henning. Ekman gave Henning—alive today at age ninety-five—her greatest role in Girl with Hyacinths (1950), the first of Ekman’s films that I ever saw, and perhaps his best-known outside of Sweden.