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30. Juni 2017 · Powered by JustWatch. Errol Morris' documentary "The B-Side: Elsa Dorfman's Portrait Photography" is a sideline glimpse of mid-twentieth century literary history, told partly through the lens of its title character, a photographer whose most notable work was done on large-format Polaroid film. It's also an affecting account of the friendship ...
22. Juli 2017 · Perhaps if Morris had thought to document Dorfman's process before she retired, The B-Side: Elsa Dorfman's Portrait Photography might have achieved the sort of intimacy and moving insight into an artist's work that Richard Press achieved in his 2011 documentary Bill Cunningham New York.
Portrait photographer Elsa Dorfman found her medium in 1980: the larger-than-life Polaroid Land 20x24 camera. For the next thirty-five years, she captured the “surfaces” of those who visited her studio: families, Beat poets, rock stars, and Harvard notables. As pictures begin to fade and her retirement looms, Dorfman gives Errol Morris an ...
- 76 Min.
20. Apr. 2017 · Directed by ERROL MORRISwww.neonrated.com
- 2 Min.
- 31,7K
- NEON
30. Juni 2017 · What sets The B-Side apart from other profiles of this ilk is Morris’ willingness to let Dorfman’s character infect the character of the film. We’re not just watching a misty remembrance about the making of an artist but a film defined by an artist’s central tenets, forever evident in the relaxed, loosely-composed snapshots that make up the bulk of her output. “It doesn’t matter ...
13. Sept. 2016 · Dorfman became best known for her use of large format 20x24 polaroid stock for her easygoing, informal portraits. She rented one of only five large format polaroid cameras in the world and ran a ...
2. Juni 2017 · Portrait photographer Elsa Dorfman found her medium in 1980: the larger-than-life Polaroid Land 20x24 camera. For the next thirty-five years, she captured the “surfaces” of those who visited her studio: families, Beat poets, rock stars, and Harvard notables. As pictures begin to fade and her retirement looms, Dorfman gives Errol Morris an inside tour of her backyard archive.
