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  1. Gilbert Adrian, known simply as Adrian, epitomized the magic of Hollywood glamour and created a unique and quintessentially American style. He was born in Connecticut in 1903 and began his career as a designer for Broadway musicals. In 1925, he moved from New York City to Los Angeles to work in film, most notably at MGM, until 1941.

  2. Designer: Gilbert Adrian (American, Naugatuck, Connecticut 1903–1959 Hollywood, California) Date: 1948–49. Culture: American. Medium: silk. Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Janet Gaynor Adrian, 1963. Accession Number: 2009.300.319

  3. Adrian invited Liebes to design an opulent backdrop for the theatrical catwalk stage in his Beverly Hills salon; in keeping with the Tony Duquette–appointed space, they decided on a subtle yet dramatic mélange of pale gray and cognac leather strips interlaced with metallic gold threads. The curtains were to be twenty feet tall, which Liebes ...

  4. Gilbert Adrian (March 3rd 1903 – September 13th 1959), born Adrian Adolph Greenburg, designed hundreds of costumes for MGM's The Wizard of Oz. He was the head of the costume department at MGM for many years, and worked on 200 films from 1924 to 1948 while being credited by his last name, "Costumes by Adrian". Gilbert had been his father's name, which he adopted. Unlike other studio ...

  5. When Humphrey Gilbert was lost in his attempt to find the north-west passage, Adrian Gilbert and John Dee took over the rights of his grant, being backed by Ralegh, Walsingham and John Peryam. Gilbert owned a ship, the Elizabeth, of 70 tons and carrying 60 men, and supplied a vessel for the 1591-2 expedition in which Thomas Cavendish lost his life.

  6. Designer Gilbert Adrian American. 1947. Not on view. In an interview with Vogue, Adrian commented that this dress had been designed "purely for prettiness, for the big romantic moments." Eighteenth-century à l'americaine is referenced in the use of quilted white taffeta trimmed with gingham appliqués. Madame du Barry's panniers have joined at ...

  7. Adrian often worked with manufacturers like Bianchini-Férier and Enka to produce his own textile patterns. Here, he exploits the genre of the conversational print, expanding it to overblown proportions with a pair of impish kittens that playfully entangle the wearer’s feet and flop across one shoulder. In a finishing touch, the appliquéd gingham bows conjure the iconic blue-and-white ...