Suchergebnisse
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Frederic Leighton, 1.º Barão Leighton, (Scarborough, 3 de dezembro de 1830 - Londres, 25 de janeiro de 1896) foi um pintor e escultor da Inglaterra. Estudou na University College School em Londres, e foi buscar aperfeiçoamento no continente, com Eduard von Steinle, Giovanni Costa e na Academia de Florença.
Frederic Leighton, Nam tước xứ Leighton (3 tháng 12 năm 1830 - 25 tháng 1 năm 1896), là họa sĩ và nhà điêu khắc người Anh.Tác phẩm của ông miêu tả những vấn đề lịch sử, Kinh Thánh, và cổ điển. Ông cũng từng là giám đốc của Royal Academy of Arts (Viện hàn lâm Hoàng gia về Nghệ thuật) ở London, là một trong những học ...
Frederick Leighton (3. prosince 1830, Scarborough, Severní Yorkshire – 25. ledna 1896, Londýn) byl anglický viktoriánský malíř a sochař. Jeho dílo zahrnuje především historické malby , dále portréty mužů viktoriánské epochy , mytologické malby aktů, ale také plastiky.
Frederic Leighton (Scarborough, 3 december 1830 – Londen, 25 januari 1896) was een gelauwerd Engels kunstschilder en beeldhouwer uit het victoriaanse tijdperk. Zijn thema's waren onder meer historische en Bijbelse onderwerpen en taferelen uit de Griekse en Romeinse mythologie. Op grond van zijn onderwerpkeuze en stijl wordt hij wel geassocieerd met de
Lord Frederic Leighton (1830-1896) was president of the Royal Academy and was one of the most important figures in the art world in England during the second half of the 19th century. He unveiled Flaming June along with six other works at the Royal Academy in 1895 and it was one of the last works he made. Leighton pictures a woman in repose ...
6 Werke von Frederic Leighton. Angelehnt stehender männlicher Akt. Stehender männlicher Akt. Stehender männlicher Akt. Luca Signorelli malt seinen toten Sohn 1851. Die Künste huldigen dem Frühling ca. 1852. Die Versöhnung der Familien Montague und Capulet im Angesicht der Leichen von Romeo und Julia ca. 1855.
Frederic Leighton, 1st Baron Leighton, PRA, known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century.
