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  1. 17,772 drawings online. We have identified these works in the following photos from our exhibition history. Léon Bakst. Costume design for the ballet The Firebird ( L'Oiseau de feu ). 1913. Gouache, watercolor, metallic paint, and pencil on paper on board. 26 1/2 x 19 1/4" (67.3 x 48.9 cm). The Joan and Lester Avnet Collection. 4.1978.

  2. Лев Самойлович Розенберг ), yleisemmin Léon (Nikolajevitš) Bakst ( ven. Лео́н Никола́евич Бакст ); ( 9. toukokuuta ( J: 27. huhtikuuta) 1866 Grodno, Grodnon kuvernementti, Venäjän keisarikunta – 27. joulukuuta 1924 Rueil-Malmaison, Haut-de-Seine, Ranska) oli ranskalaistunut valkovenäläinen ...

  3. yivoencyclopedia.org › article › Bakst_LeonYIVO | Bakst, Léon

    Author. (1866–1924), Russian artist. Of the many artists of the Russian Silver Age, Léon Bakst (Lev Samoilovich Rozenberg) deserves the highest acclaim for his achievements in studio painting and the applied arts. He was especially successful in portraiture, interior decoration, book illustration, haute couture, and, above all, stage design.

  4. artvee.com › artist › leon-bakstLéon Bakst - Artvee

    Léon Bakst was a Russian painter and scene and costume designer of Belarusian origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as "Carnaval" (1910), "Spectre de la rose" (1911), "Daphnis and Chloe" (1912), "The Sleeping Princess" (1921) and others.

  5. Les tableaux vivants de Léon Bakst. 01 MARS . 2017. Écrit par Elsa Cau. A l’occasion du 150e anniversaire de sa naissance, l’Opéra National de Paris et la Bibliothèque Nationale de France fêtent l’œuvre de Léon Bakst, artiste total de l’avant-garde russe. A l’aube de la modernité, Bakst fait figure de génie : à la fois ...

  6. Léon Bakst’s first professional solo show overseas opened at the end of February 1916, as planned, except that it was organized by Scott & Fowles, at the address 590 15th Ave. Because of a lack of determination on the part of the Knoedler Gallery’s management, who failed to give a definitive response by the set date, the realization of the ...

  7. Albert Flament. "Bakst, artificier, décorateur et portraitiste." La Renaissance de l'art français et des industries de luxe 2 (March 1919), ill. p. 94, calls it the most recent portrait of Mme Rubinstein, in the collection of Comte Robert de Montesquiou. "Leon Bakst's Works at Private View." New York Times (December 6, 1922), p. 16.