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  1. Jean Dominique Antony Metzinger (French: [mɛtsɛ̃ʒe]; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907, Metzinger ...

  2. 17. Feb. 2022 · Jean Metzinger (24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wro...

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  3. Other articles where Jean Metzinger is discussed: Albert Gleizes: …Robert Delaunay, Fernand Léger, and Jean Metzinger. Together the five artists made history at the 1911 Salon des Indépendants when they exhibited their works in the same room, the notorious “Salle 41” (“Room 41”).

  4. A proponent of Cubism, Metzinger was a member of the Puteaux Group of artists and coauthor of the 1912 book Du Cubisme. This painting is part of a series of still lifes from 1916–19 characterized by distorted space, strongly defined planes, and broad shapes rendered in flat colors. A close examination of the work reveals a number of easily identifiable objects on the table, including a vase ...

  5. Jean Dominique Antony Metzinger (French, 1883–1956) was a significant member of the Cubist movement, collaborating with its other founders to outline their beliefs and gain widespread popularity for the style. The artist penned Du cubisme with Albert Gleizes (French, 1881–1953), a significant essay defining the theories and foundation of ...

  6. Publication. Jean Metzinger (Jean Dominique Antony Metzinger, June 24, 1883, Nantes, France - November 3, 1956, Paris, France) - French artist, writer, poet and art theorist. Metzinger was born into a famous military family. As a child, he was fond of mathematics, music and drawing, and, although his mother predicted a career as a doctor for ...

  7. Apollinaire noted in 1913 that Metzinger’s art, “always more and more abstract, but always charming, raises and attempts to solve the most difficult and unforeseen problems of aesthetics” (quoted in Jean Metzinger in Retrospect, exh. cat., University of Iowa Museum of Art, Iowa City, 1985, p. 44). In the present canvas, Metzinger contrasted a cubist interpretation of a woman’s head and ...