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10. Aug. 2015 · Mahoning, a monumental armature of bold black enamel strokes laid against a white background, seems to be a record of Franz Kline’s spontaneous gestures; its ragged brushwork and slashes of pigment suggest the free movement of the brush across the canvas. Despite this appearance of immediacy, however, the painting—like many of Kline’s abstractions—was deliberately planned. He based it ...
FRANZ KLINE POSSESSED ONE of the two or three most acute painting intelligences that I have ever encountered, and he was also endowed with a superb sense of humor, an unusual pair of assets in any artist. One of his favorite self-mocking stories involved a remark of his mother’s around the time of his first show at the Egan Gallery. Kline had ...
‘Meryon‘, Franz Kline, 1960–1. Skip navigation. Shop. Become a Member. Main menu. Art and artists. Our collection Artists Artworks Art by theme Explore ...
A Kline painting “pulsates” from border to border, the rectangular shape as much a part of the “event” as the inscriptions on the canvas. The last work belongs to Kline himself. In an interview with the poet and critic Frank O’Hara in 1958, Franz Kline observed with his characteristic simplicity and insight—
Franz Kline wurde hauptsächlich mit der Bewegung des Abstrakten Expressionismus der 1940er und 1950er Jahre in Verbindung gebracht. Monochromatische Gemälde, die zwei kontrastierende Farben mit breiten Pinselstrichen verwenden, waren der anerkannte Stil von Kline's Werken. Er wurde von Kunstmäzenen gefragt, warum er nur Schwarz benutze.
Title: Nijinsky. Artist: Franz Kline (American, Wilkes-Barre, Pennsylvania 1910–1962 New York) Date: 1950. Medium: Oil on canvas. Dimensions: 46 in. × 35 1/4 in. (116.8 × 89.5 cm) Classification: Paintings. Credit Line: The Muriel Kallis Steinberg Newman Collection, Gift of Muriel Kallis Newman, 2006. Accession Number: 2006.32.28.
Franz Kline. Franz Kline ( Wilkes-Barre, 23 de maig de 1910 − Nova York, 3 de maig de 1962) va ser un pintor estatunidenc associat al grup de l' expressionisme abstracte que geogràficament es va centrar a Nova York entre els anys 1940 i els anys 1950 .
