Suchergebnisse
Suchergebnisse:
The subject matter of Golub’s imagery is aggression, potential (in the “Mercenaries”) and actual (in the “Interrogations,” 1980–81). Within his oeuvre, these images are more historically specific than the “Gigantomachies,” 1965–68, yet less so than the “Assassins,” 1972–74, which deal with Vietnam. They are less ...
Golub Capital BDC, Inc., (a business development company) was founded in 2009 and went public in March 2010 Nasdaq : GBDC. [6] David Golub serves as the President and CEO of the company. [7] The company lends money to middle market companies that have backing from private equity firms.
Installation view of Leon Golub: Raw Nerve, on view at The Met Breuer through May 27, 2018 «Those who knew Leon Golub will tell you that he was one of the most caring artists you could meet, a personality seemingly at odds with his paintings—merciless, unflinching expressions of what he called "the nightmare of history"—a nightmare that "has no beginning and no end."
Leon Golub; Combat, 1964 Leon Golub; The Heretic’s Fork, c. 1985 Leon Golub; Colossal Figure, 1961 Leon Golub; The Courtesans, c. 1950 Leon Golub; Head (I), 1958 Leon Golub; They Will Torture You, My Friend, from Conspiracy, The Artist as Witness, 1971 Leon Golub; Running Blue Sphinx, 1965 Leon Golub; Condemned, 2002 Leon Golub; The Heretic ...
Golub es uno de los pocos artistas del siglo XX que logró plantar cara al posmodernismo imperante. Su obra es un compendio perfecto entre ética, política y e...
- 56 Min.
- 11,5K
- Malasombra
Born in Chicago, Golub (1922–2004) occupies a singular position in the history of mid- to late 20th-century art. His devotion to the figure, his embrace of expressionism, his fusion of modern and classical sources, and his commitment to social justice distinguish his practice as an artist. Alongside the monumental, terrifying Gigantomachy II ...
27. Jan. 2017 · Golub once described his style as a form of “barbaric realism.” Much of its roughness comes from his painting technique. He described his method in this 1999 lecture, recorded at the Whitney. Leon Golub: I build up the paint, I build up a number of surfaces, and I scrape it down using solvents. In a sense I skin the canvas to remove the ...
