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  1. Nel Lydian Chromatic Concept of Tonal Organization (1953) George Russell mette al centro del sistema tonale la scala lidia, al posto della tradizionale scala maggiore. Il suo sistema è stato di grande stimolo a un’intera generazione di jazzisti, che l’hanno utilizzato per cercare di ampliare il linguaggio delle loro improvvisazioni.

  2. El Concepto Cromático Lidio de Organización Tonal (Lydian Chromatic Concept of Tonal Organization) es un libro del compositor, músico y teórico George Russell, editado en 1953. Es considerada la primera obra teórica surgida a partir del jazz. El libro es un texto que analiza, explica y fundamenta la música de jazz, con una organización ...

  3. 13. Apr. 2018 · This post is the first in a series covering the “Lydian Chromatic Concept of Tonal Organization”, a jazz theory book written by George Russell in 1953. The “Lydian Chromatic Concept” ( LCC for short) is a novel approach to music that treats the Lydian mode as the primary mode rather than Ionian (the major scale).

  4. 2. Sept. 2022 · Taking on music theory's biggest idea.Support 12tone on Patreon to help us keep making cool videos! https://www.patreon.com/12tonevideosIn music circles, the...

    • 20 Min.
    • 185,9K
    • 12tone
  5. 1. Aug. 2020 · In this lesson I introduce you to an alternative system of using scales for jazz improvisation. And it just so happens that Miles Davis was busy studying and...

    • 22 Min.
    • 72,1K
    • Richie Zellon
  6. The Lydian Scale is the musical passive force. Its unified tonal gravity field, ordained by the ladder of fifths, serves as a theoretical basis for tonal organization within the Lydian Chromatic Scale and, ultimately, for the entire Lydian Chromatic Concept. There is no “goal pressure” within the tonal gravity field of a Lydian Scale.

  7. The Lydian Chromatic Concept of Tonal Organization postulated by George Russell in his book in 1953, will help any humble and sincere musician to understand ...

    • 13 Min.
    • 46K
    • Donald Mason