Niedrige Preise, Riesenauswahl. Sicher bezahlen mit Kauf auf Rechnung. Kostenlose und einfache Rücksendungen für Millionen von Artikeln.
Suchergebnisse
Suchergebnisse:
Untitled Film Still #16. In her Untitled Film Stills series of 1977-1980, Cindy Sherman used wigs, thrift-store costumes and other props to transform herself into a cast of female types from 1950s B- movies and television programs. These enormously influential images blend authenticity and artifice to pose probing questions about women's ...
Untitled Film Still #13. 1978. Collection The Museum of Modern Art, New York. In December 1995, The Museum of Modern Art acquired all sixty-nine black-and-white photographs in Cindy Sherman's Untitled Film Stills series. This insured that this landmark body of work was preserved in its entirety in a single public collection. The series has been ...
27. März 2017 · Cindy Sherman’s ‘Untitled Film Stills’ are no different. In ‘Untitled Film Still’ #21 we have a frame which could easily pass for a transitional shot in a 1960s movie. In the foreground, a woman in suit and hat is separated from the background, a Manhattan-style skyline, through the controlled use of shallow depth of field. A low, slightly tilted camera angle places her in the centre ...
16. Juli 2019 · Cindy Sherman, “Untitled Film Still #63” (1980) Courtesy of the artist and Metro Pictures, New York. Sherman would conclude the Untitled Film Stills in 1980 but would continue to reference cinema in her work, and later direct a feature film of her own, 1997’s Office Killer. But the impact of single shots in relation to cinema would stay ...
- 3 Min.
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films, the printed images mimic in format, scale, and ...
Untitled # 138, Cindy Sherman, 1984. Sherman depicts a woman in designer clothes losing self-confidence who cannot bear the pressure of her forced role. In the 1980s, Sherman introduced bright light and high-contrast color to her work. Moving away from established female stereotypes seen in the Untitled Film Stills series, she begins to deal ...
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films, the printed images mimic in format, scale, and ...
