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Galerie Lelong & Co., New York represents prominent contemporary artists and estates from the United States, Latin America, Europe, Asia, and Australia. This uniquely diverse group includes mid-career and established artists at the forefront of the international art world working across all media.
Galerie Lelong is proud to have represented Nancy Spero since 2001, presenting key solo exhibitions such as The War Series, Un Coup de Dent, andFrom Victimage to Liberation: Works from the 1980s & 1990s. Spero’s work will be included in the upcoming exhibitions Antonin Artaud 1936, Museo Tamayo, Mexico, and After the Fact.
17. Aug. 2016 · Female Bomb belongs to Spero’s War series, 1966–69, in which she personified weapons and wartime horrors in response to the conflict in Vietnam. The work shows several vicious-looking heads extending from a female body, blood seeming to spout from each as well as from the figure’s breasts and vagina. In Female Bomb, Spero collapses ...
25. Okt. 2010 · “When I found my voice I allowed the work to become celebratory, I allowed myself to say that there is a sense of possibility.” Nancy Spero, 2000 . Nancy Spero, The First Language, 1981 (Panel 8). Cut-and-pasted handprinted and painted paper and handprinting on paper, 22 panels, 20 inches x 190 feet. Reproduced from the book under review
Nancy Spero's Female Bomb (1966), from this series, presents an apocalyptic image of heads flying outwards from a female body, with strokes of red bursting from their mouths as well as from parts of the woman's body. Blurring the distinctions between the weapons of war and the female body destroyed by it, the work portrays women as both victims and initiators of violence.
8. Juni 2019 · Von 1966 bis 1971 thematisiert Spero den Vietnamkrieg in nicht weniger als 150 Arbeiten auf Papier. Diese War Series, in vielerlei Hinsicht ein Wendepunkt in Speros Oeuvre, nutzt sie als Möglichkeit zu einer eindeutigen Stellungnahme: ,,Ich fing an zu überlegen, wie ich den Krieg thematisieren wollte. Sicher war: Ich wollte das perfide ...
During the 1960s Spero’s art was in transition: she painted the oil series The Paris Black Paintings: Lovers, Prostitutes, Mothers and Children, Monsters (1959–1966); did small-scale gouache drawings and paintings for the Vietnam War Series (1966–1970); and used collage, cut-outs and text on paper (The Artaud Paintings, 1969–1970). She had a longstanding interest in the contrast of ...
