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  1. 7. Mai 2024 · In conclusion, “If Loving You Is Wrong (I Don’t Want to Be Right)” by Isaac Hayes is a timeless soul ballad that explores the complexities of love and the moral dilemmas that can arise when two people find themselves entangled in an affair. With its poignant lyrics and soulful melodies, this song continues to touch the hearts of listeners and reminds us of the power and complexities of love.

  2. Vor 5 Tagen · Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record. The Memphis soul label is the subject of the HBO Max documentary series, Stax: Soulsville U.S.A. We listen back to archival interviews with Stax musicians Steve Cropper, Booker T. and Isaac Hayes.

  3. Vor 5 Tagen · The Memphis soul label is the subject of the HBO Max documentary series, Stax: Soulsville U.S.A. We listen back to archival interviews with Stax musicians Steve Cropper, Booker T. and Isaac Hayes.

  4. Vor 5 Tagen · A look back at Stax Records with Steve Cropper, Booker T. and Isaac Hayes. The Memphis soul label is the subject of the HBO Max documentary series, Respect Yourself. We listen back to archival interviews with Stax musicians Steve Cropper, Booker T. and Isaac Hayes. Combine an intelligent interviewer with a roster of guests that, according to ...

  5. 5. Mai 2024 · Now this is a Soul classic that's filled with memorable riffs and hooks--it's the theme from the 1971 MGM film, "Shaft" that was done by singer-songwriter, m...

    • 3 Min.
    • 621
    • 3Decades
  6. 12. Mai 2024 · The Isaac Hayes song hit 'Shaft' released back in 1971 for the movie of the same name, got a new version 'Shaft II', for Hayes album 'For the Sake of Love'. ...

    • 11 Min.
    • 32
    • Euphoric Haggis
  7. 8. Mai 2024 · Despite the composer’s emphasis on duration, one of the most famous interpretations of “Walk On By” is a 12-minute funk vamp by musician Isaac Hayes. Recorded in 1969, Hayes’ version was featured on his album Hot Buttered Soul , released as a single, and peaked at number 30 on the U.S. Billboard Hot 100, eventually becoming almost as popular as Warwick’s original recording.