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  1. Pollock never really lost his interest in figurative imagery - as he once put it, "I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge." As early as the late 1940s, figuration showed signs of resurfacing in his work. By 1950, whilst his drinking increased, he returned to drawing, resurrecting ...

  2. 17. März 2022 · Pollock’s rough and turbulent childhood in the American West molded him into the confident persona he would become. Later, a sequence of inspirations came together to shape the style of Jackson Pollock’s paintings: years spent producing realistic murals on a big scale in the 1930s taught him the impact of large paintings; Surrealism gave techniques to express the unconscious, and Cubism ...

  3. 29. Nov. 2015 · Der Mythos vom Verspritzen der eigenen Seele. Das Museum of Modern Art in New York zeigt einen Gesamtüberblick über das Werk von Jackson Pollock. Die Ausstellung zeigt sehr schön, wie er es ...

  4. Title: Number 28, 1950. Artist: Jackson Pollock (American, Cody, Wyoming 1912–1956 East Hampton, New York) Date: 1950. Medium: Enamel on canvas. Dimensions: 68 1/16 in. × 8 ft. 8 13/16 in. (172.9 × 266.2 cm) Classification: Paintings. Credit Line: The Muriel Kallis Steinberg Newman Collection, Gift of Muriel Kallis Newman, in honor of her ...

  5. 19. Jan. 2022 · A post shared by National Gallery of Australia (@nationalgalleryaus) 9. Convergence, 1952. One of Jackson Pollock’s most famous paintings was produced as a way of expressing freedom of speech and expression. What started as a black and white painting ended up with primary colors splattered and thrown on top.

  6. Paul Jackson Pollock (Cody, Wyoming, 28 de janeiro de 1912 — Springs, 11 de agosto de 1956), conhecido profissionalmente como Jackson Pollock, foi um pintor norte-americano e referência no movimento do expressionismo abstrato. Ele se tornou conhecido por seu estilo único de pintura por gotejamento. Durante sua vida, Pollock gozou de fama e ...

  7. The Flame. c. 1934-38. Fire—its primordial allure, flickering light, and raw energy—was a subject that offered much to Pollock. This image of blazing flames obscuring what appears to be a skeleton in the foreground was likely influenced by the scenes of flames and human sacrifice in José Clemente Orozco's famous mural at Dartmouth College ...

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