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  1. Eagle-Eye Cherry, Christian Jon Cherry, Neneh Cherry y David Ornette. Don Cherry ( Oklahoma City, 18 de noviembre de 1936– Málaga, España, 19 de octubre de 1995) fue un trompetista, multi-instrumentista y compositor estadounidense de jazz, uno de los principales representantes del free jazz y precursor de la world-music. 1 .

  2. Der Begriff Free Jazz, der zu Beginn der Ära auch "The New Thing" genannt wird, geht auf Colemans Aufnahme "Free Jazz" (1961, u. a. mit Don Cherry, Eric Dolphy und Charlie Haden) zurück. Mit ...

  3. Don Cherry. More images. Real Name: Donald Eugene Cherry. Profile: American avant-/free jazz trumpeter, born Nov 18 1936 in Oklahoma City; died Oct 19 1995 in Malaga, Spain. His career began with a long association with Ornette Coleman . Father of Jan Cherry, David Ornette Cherry and Eagle-Eye Cherry and stepfather of Neneh Cherry. Sites:

  4. 31. März 2023 · En un peu plus de 250 pages, truffées de témoignages, de chroniques de l’époque et de références, l’auteur nous invite à découvrir l’apport considérable de Don Cherry dans l’émergence du free jazz, sur fond de ségrégation et de mutations sociales. A lire : « Don Cherry, le petit prince du free », éditeur Le Mot et le Reste ...

  5. 19. März 2011 · Don Cherry (Donald Eugene Cherry, Oklahoma City, Oklahoma, November 18, 1936 - October 19, 1995) was an American jazz trumpeter. Don Cherry gained notoriety in the late 1950s through legendary Ornette Coleman recordings featuring Cherry's cornet and trumpet playing (sometimes featuring his playing of novel horns); including The Shape of Jazz to Come (1959) and Free Jazz (1961), the latter of ...

  6. en.wikipedia.org › wiki › Free_jazzFree jazz - Wikipedia

    Free jazz or Free Form in the early to mid-1970s is ... Pharoah Sanders, McCoy Tyner, Alice Coltrane, Wayne Shorter, Anthony Braxton, Don Cherry, and Sun Ra as musicians who have employed this approach. Other media. Canadian artist Stan ...

  7. 3. Okt. 2020 · Don Cherry has been one of the musicians I listened to almost daily some decades ago. I liked his incredible versatility, his open-mindedness, his optimism, his curiosity, his sense of exploration and synthesis, his joy of life and of course his music. He was a man of the sixties and seventies, growing up in a world where the establishment ...