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  1. Permalink. This 1955 R&B Revue consists of performances by some of the greats of the golden era of Rhythm and Blues including Cab Calloway, Martha Davis, Ruth Brown, Lionel Hampton, Faye Adams, Herb Jeffries, and Joe Turner. The Hampton numbers reveal how close he came to abandoning jazz entirely in favor of music in the proto rock vein.

  2. www.wbgo.org › show › rhythm-revueRhythm Revue | WBGO

    Rhythm Revue. Saturday 10:00am - 4:00pm, Sunday 12:00pm - 6:00pm. Hosted by Felix Hernandez. Hosted by Felix Hernandez. Our weekly R&B and Classic Soul party created by the maestro of the groove. Part of WBGO's "Rhythm & Song Weekend". Show Archive. - Find the original air date of the program you want to listen to (we can only provide the last ...

  3. Rhythm and Blues Revue 1955. Posted by Wasser-Prawda | Jan 21, 2010 | Allgemein | 0 |. Es war 1955 im Apollo-Theater in Harlem. Versammelt waren einige der bekanntesten afroamerikanischen Künstler der damaligen Zeit. Und herausgekommen ist ein Film, der wegen der großartigen Musik noch heute Spaß macht. Gäste der Show waren unter anderem ...

  4. Overview. Rhythm and Blues Revue is a plotless variety show, one of several compiled for theatrical exhibition from the made-for-television short films produced by Snader and Studio Telescriptions, with newly-filmed host segments by Willie Bryant. Originally 86 minutes, the "short" version available on public domain collections and websites is ...

  5. 11. Aug. 2022 · Rhythm & Blues Revue (1955) Topics Rhythm & Blues. Rhythm & Blues Revue ( 1955) Addeddate 2022-08-11 01:32:11 Color color Identifier rhythm-blues-revue-1955-full-movie Scanner Internet Archive HTML5 Uploader 1.7.0 Sound sound . plus-circl ...

  6. Rhythm and Blues Revue 1955 1h 11m Documentary Music List Reviews Performances by R&B greats such as Cab Calloway, Martha Davis, Count Bassie, Lionel Hampton and Herb Jeffries.

    • Documentary, Music
  7. Vor 6 Tagen · rhythm and blues, term used for several types of postwar African-American popular music, as well as for some white rock music derived from it. The term was coined by Jerry Wexler in 1947, when he was editing the charts at the trade journal Billboard and found that the record companies issuing Black popular music considered the chart names then in use (Harlem Hit Parade, Sepia, Race) to be ...