Suchergebnisse
Suchergebnisse:
He’s in fine form on guitar but meets his match in Ian McLagan, whose Hammond B3 stylings glue the whole lot together. And the album winds down to a graceful end with “Fallin’ Off the Face ...
Discography of Ian P McLagan. Year/Artist Title/s Label. 1965. Muleskinners Backdoor Man / Need Your Lovin Fontana. 1966. Small Faces Sha -La-La-La-Lee / Grow Your Own Decca. Small Faces Hey Girl / Almost Grown Decca. Small Faces All Or Nothing / Understanding Decca. Small Faces My Mind's Eye / I Can't Dance With You Decca.
That’s the resume, but it’s Gurf’s integrity, combined his near innate sense of music and how to make it sound not just good, but great, that have attracted so many well-respected artists to work with him over the years – folks like Ian McLagan, Patty Griffin, Robert Earl Keen, Buddy Miller, Mary Gauthier, Tom Russell, Butch Hancock, Slaid Cleaves and Ray Wylie Hubbard, just to name a ...
He’s in fine form on guitar but meets his match in Ian McLagan, whose Hammond B3 stylings glue the whole lot together. And the album winds down to a graceful end with “Fallin’ Off the Face of the World,” an acoustic ballad of love lost that brings everything to a quiet close. As he did when working with other artists, Morlix avoids the ...
Gurf Morlix – Toad of Titicaca (Catamount) Produced, engineered, mixed, vocals, various instruments. Slaid Cleaves – Broke Down (Philo) Produced, engineered, mixed, various instruments, vocals. Ian McLagan – Best of British (Gadfly) Produced, mixed, guitars, vocals. Jim Whitford – Poison In The Well (Self Released)
1. Feb. 2002 · Using the same two cats that so rawly adorned Toad, ex-Faces keyboard player Ian McLagan on Hammond B3 and drummer Rick Richards, Morlix weaves tales of terror, depression, nonsense, strange stories, and allegories in the languages of morning after blues, rough and rowdy ...
Using the same two cats that so rawly adorned Toad, ex-Faces keyboard player Ian McLagan on Hammond B3 and drummer Rick Richards, Morlix weaves tales of terror, depression, nonsense, strange stories, and allegories in the languages of morning after blues, rough and rowdy rockabilly, folk, country, greasy R&B, and Texas rock.
