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  1. 12 SONGS • 46 MINUTES • JAN 01 1995. Johnnie Johnson feat. Jimmy Vivino & James Wormworth. Johnnie Johnson feat. Jimmy Vivino & Michael Merrett. Johnnie Johnson feat. Buddy Guy, Phoebe Snow & Al Kooper. Johnnie Johnson feat. John Sebastian, Jimmy Vivino & James Wormworth.

  2. 28. Juli 1995 · IN THE '50s, pianist Johnnie Johnson was Chuck Berry's right and left hand man in the studio, pumping out triplet-laced blues runs and thumping boogie beats on "Maybelline," "Roll Over Beethoven ...

  3. 1. Jan. 1995 · Bernard Roth, Composer - Al Kooper, FeaturedArtist - Jimmy Vivino, Producer - Buddy Guy, FeaturedArtist - Phoebe Snow, FeaturedArtist - Johnnie Johnson, MainArtist - Sunflower Music, MusicPublisher (C) 1995 Amerco, LLC. (P) 1995 Amerco, LLC.

  4. The only other track that was a pleasant suprise was Phoebe Snow's vocal on "Tossin' and Turnin'". It was nice that she came out of retirement to do that cameo-I adored her back in the 70's. Basically the CD seemed like a disorganized potpourri of various vagrant, unemployed musicians jumping on Johnnie Johnson's bandwagon and slopping up HIS CD which is advertised in such a way as to make you ...

    • Audio CD
  5. 19. Juli 2020 · The only other track that was a pleasant suprise was Phoebe Snow's vocal on "Tossin' and Turnin'". It was nice that she came out of retirement to do that cameo-I adored her back in the 70's. Basically the CD seemed like a disorganized potpourri of various vagrant, unemployed musicians jumping on Johnnie Johnson's bandwagon and slopping up HIS CD which is advertised in such a way as to make you ...

    • (14)
  6. 17. Jan. 2021 · Enjoy the soothing voice and soulful lyrics of Phoebe Snow, one of the most versatile and underrated singers of her time. Listen to her greatest hits, including "Poetry Man", "Harpo's Blues", and ...

    • 61 Min.
    • 83,6K
    • Top Music
  7. Phoebe Snow. Phoebe Snow (born Phoebe Ann Laub; July 17, 1950 – April 26, 2011) was an American singer, songwriter, and guitarist, best known for her 1975 song "Poetry Man". She was described by The New York Times as a "contralto grounded in a bluesy growl and capable of sweeping over four octaves."