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  1. ecmrecords.com › product › characters-on-a-wall-louis-sclavisCharacters On A Wall - ECM Records

    20. Sept. 2019 · Louis Sclavis’s 13th ECM recording finds the French clarinetist drawing inspiration from two sources – the street art of Ernest Pignon-Ernest, and the interpretive originality of a splendid new quartet. Pignon-Ernest’s works were previously the subject of Sclavis’s highly acclaimed 2002 recording Napoli’s Walls. This time Sclavis looks at a broader range of the artist’s […]

  2. Jasmine. Keith Jarrett / Charlie Haden. Released. 2010 — Germany. CD —. Album. Explore the tracklist, credits, statistics, and more for Characters On A Wall by Louis Sclavis. Compare versions and buy on Discogs.

  3. Released. 2009 — Germany. CD —. Album. viziroasiz Feb 17, 2020. "La Dame de Martigues" is exquisite, beaufitully played calm jazz. Must hear. View credits, reviews, tracks and shop for the 2019 CD release of "Characters On A Wall" on Discogs.

  4. 20. Sept. 2019 · Germany. 2019. Recently Edited. Characters On A Wall ( LP, Album) ECM Records, ECM Records. ECM 2645, 080 4585. Germany. 2019. View credits, reviews, tracks and shop for the 2019 File release of "Characters On A Wall" on Discogs.

  5. Große Kunst. »Characters On A Wall«, der Name des 2019er-Albums von Louis Sclavis ist Programm. Und auch das Cover verrät: Als Inspiration für seine Musik diente dem französischen Klarinettisten und Komponisten zum wiederholten Mal die Kunst von Ernest Pignon-Ernest. Gemeinsam mit einem brillanten Quartett haucht Sclavis diesen Bildern ...

  6. Louis Sclavis. Louis Sclavis (* 2. Februar 1953 in Lyon, Frankreich) ist ein französischer Klarinettist, Saxophonist, Komponist und Bandleader. Er wird allgemein als einer der wichtigen europäischen Instrumentalisten, insbesondere auf der Bassklarinette, betrachtet. Sclavis ist auch als Filmkomponist tätig.

  7. 6. Dez. 2019 · His album Napoli Walls (ECM 1857) was a project dedicated to his collages in Naples. This time Sclavis wanted to “compose pieces inspired by several of his interventions from the 1970s to nowadays”. Whilst this may seem a tad heavy and intellectual, the end result is remarkably accessible. Even Sclavis accepts that this work is different ...