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  1. 12. Jan. 2015 · 2nd Revised ed. Dimensions (mm) 210 (h) * 148 (w) * 13 (d) The first facsimile of Ruskin's epoch-making 'Nature of Gothic' as printed by his disciple William Morris at the Kelmscott Press. Essays by specialist contributors enlarge on the great significance of this book. £14.99. excluding shipping. Available to order but dispatch within 7-10 days.

  2. Preface to The Nature of Gothic by John Ruskin. The Chapter which is here put before the reader can be well considered as a separate piece of work, although it contains here and there references to what has gone before in The Stones of Venice. To my mind, and I believe to some others, it is one of the most important things written by the author ...

  3. The Stones of Venice is a three-volume discourse on Gothic art and architecture, the first volume being published in 1851, and the second and third in 1853. The Times supportive review of this volume published in October 1853 was extensive and concluded with these remarks. The power of Ruskin’s work and its subsequent influence is evident in ...

  4. 20. Mai 2024 · Easy targets for satire, the early Gothic romances died of their own extravagances of plot, but Gothic atmospheric machinery continued to haunt the fiction of such major writers as Charlotte, Anne, and Emily Brontë, Edgar Allan Poe, Nathaniel Hawthorne, and even Charles Dickens in Bleak House and Great Expectations. In the second half of the 20th century, the term was applied to paperback ...

  5. 31. Dez. 2009 · In the two succeeding sections of this work, devoted respectively to the examination of the Gothic and Renaissance buildings in Venice, I have endeavored to analyze and state, as briefly as possible, the true nature of each school,—first in Spirit, then in Form. I wished to have given a similar analysis, in this section, of the nature of Byzantine architecture; but could not make my ...

  6. John Ruskin. 3.85. 117 ratings8 reviews. This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving ...