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Aka-Darbari-Java (Magic Realism) ( 1983) Dream Theory in Malaya: Fourth World Volume Two è un album di Jon Hassell pubblicato nel 1981. È il secondo capitolo del progetto Fourth World, iniziato l'anno precedente con la pubblicazione dell'album Possible Musics, realizzato con Brian Eno . A differenza del precedente capitolo, caratterizzato da ...
10. Sept. 2017 · On Dream Theory In Malaya: Fourth World Volume Two you've got avant-garde trumpeter Jon Hassell, EM wiz Brian Eno, and the spotless engineering of Daniel Lanois to create a rather eclectic LP of percussion, tone, rhythm, and an "ever-changing instrumental structure" that comes off as anything but cliché. Clearly, this type of recording is a rather sophisticated affair first landing in 1981 ...
Fourth World Vol.2 Dream Theory In Malaya [LP+CD] Jon Hassell. ★★★★★ ...
20. Juni 2009 · In the stillness of morning, the sun gains a toehold on the earth and slowly lifts the veil of creation. Shapes appear; fixed and animated, light and dark. In the world between sleeping and waking, you fill in the missing pieces until the landscape is alive around you. The clarity of full consciousness comes on “Dream Theory,” and you ...
In certain circles, Jon Hassell became a household name with the release of Fourth World Vol. 1: Possible Musics because of relative star power of his collaborator on that project: Brian Eno. Hassell, who keeps his distance from Eno somewhat on its follow-up, Dream Theory in Malaya: Fourth World Volume Two , develops his vision of "possible musics" more completely (though Eno contributes ...
1980 veröffentlichten Eno und Hassell das hypnotisierende und betörende Album "Fourth World Vol. 1 - Possible Musics". Auch wenn sich im Nachhinein herausstellte, dass Enos Anteil an dieser ethnografischen Klangreise in nicht verzeichnete Territorien marginal war, gilt es als visionäres Epochenwerk. Es fand im folgenden Jahr mit "Dream Theory In Malaya" seinen Nachfolger. Neben Hassell und ...
Le volume 2 de la '4th World Serie' nous donne un kaléidoscope plus personnel du spectre de Jon Hassell, qui est moins influencé par l'esthétique cool de Brian Eno que le Vol.1. La pièce d'ouverture nerveuse 'Chor Moirë' était en avance de plusieurs décennies sur son temps; de même, le 'Courage' de conduite avec l'ethnobeat en déclin n'a rien perdu de sa fascination.
