Suchergebnisse
Suchergebnisse:
Der Dokumentarfilm „The First Monday in May“ schildert die Vorbereitungen zur Ausstellung „China: Through the Looking Glass“ im Metropolitan Museum of Art sowie zur glamourösen Met Gala 2015, die von Vogue-Chefin Anna Wintour mitbetreut wurde. Der Film wird das diesjährige Tribeca Film Festival eröffnen.
Magnolia Pictures. New York, NY 10001. Phone: 212 924 6701. mwendel@magpictures.com. * Rush Tickets available at venue except for. Beacon Theatre. Rush will be offered when advanced tickets for a screening or event are no longer available at venues other than Beacon Theatre. The Rush system functions as a standby line that will form at the ...
The First Monday in May is 1979 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 607 places since yesterday. In the United States, it is currently more popular than Stars at Noon but less popular than The Prototype.
- 91 Min.
13. Apr. 2016 · We get an answer to that question in The First Monday in May, a new documentary by Andrew Rossi ( Page One: Inside the New York Times ), premiering at the Tribeca Film Festival tonight and opening ...
13. Apr. 2016 · Detailing the eight-month build-up to the show’s debut, “First Monday in May” is most compelling when simply taking up residence alongside Bolton, Wintour and Wong as they oversee the myriad ...
The First Monday in May follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, China: Through The Looking Glass, an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest ...
14. Apr. 2016 · The First Monday in May compounds these shortcomings in its final third by representing the exhibit’s opening as if it were Vogue’s own coverage of the event. Rossi’s slow-mo close-ups greet stars upon their red-carpet arrival and their attire is treated not as decorative art, but as celebratory spectacle, like an E! special. In fact, the film’s entire questioning of the gala’s ...
