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Work (1852–1865) is a painting by Ford Madox Brown that is generally considered to be his most important achievement.It exists in two versions. The painting attempts to portray, both literally and analytically, the totality of the Victorian social system and the transition from a rural to an urban economy.
フォード・マドックス・ブラウン （Ford Madox Brown, 1821年 4月16日 - 1893年 10月6日）は、イギリスの画家。フランスのカレーで生まれた。銅版画家ウィリアム・ホガースの風刺の精神を、ラファエル前派の絵画スタイルで受け継いだとされた。ラファエル前派の ...
Work 1852–1865. Ford Madox Brown (1821–1893) Manchester Art Gallery. (b Calais, 16 Apr. 1821; d London, 6 Oct. 1893). English painter. The son of a retired ship's purser, he spent his early life on the Continent; his training included a period with Wappers in Antwerp. In 1840–3 he lived in Paris, then settled in London in 1844; he visited ...
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865). Brown spent the latter years of his life painting the twelve works known as The Manchester Murals, depicting Mancunian history, for ...
Ford was born in Merton in Surrey [2] to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer and his sister was Juliet Hueffer, the wife of David Soskice and mother of Frank Soskice. Ford's father, who became music critic for The Times, was German and his mother English.
14. Okt. 2023 · Ford Madox Brown was a famous British artist from the 19th century whose work was closely related to the Pre-Raphaelite art movement. He was uniquely Hogarthian in many ways, but did draw in many aspects of the Brotherhood's style, such as bright colour and precise detail. Brown's family would move constantly around Northern Europe and this ...
6. Dez. 2023 · Navvies (detail), Ford Madox Brown, Work, 1852-65, oil on canvas, 137 x 198 cm (Manchester Art Gallery) On the left hand side, two ladies skirt the edge of the picture. The first, lady carrying a parasol, is a portrait of the artist’s Brown’s wife Emma. Following along behind is another well-dressed woman who offers a religious tract to one ...
