Riesige Auswahl an CDs, Vinyl und MP3s. Kostenlose Lieferung möglich. Erhalten auf Amazon Angebote für lee hazlewood forty im Bereich Musik
- Kontaktieren Sie uns
Sie haben Fragen zu Amazon?
Kontaktieren Sie uns jetzt!
- Kostenlose Lieferung
Bestellen Sie jetzt und
erhalten Sie kostenlose Lieferung.
- Jetzt entdecken
Entdecken Sie jetzt unsere neuen
Produkte auf Amazon.de!
- Schnelle Lieferung
Schnelle Lieferung
Sicheres Einkaufen
- Kontaktieren Sie uns
Suchergebnisse
Suchergebnisse:
Explore the tracklist, credits, statistics, and more for Forty by Lee Hazlewood. Compare versions and buy on Discogs
Country and pop iconoclast Lee Hazlewood was one of the music world's most unpredictable geniuses during a long, fruitful career. His early productions for Duane Eddy, especially 1958's echo-laden "Rebel Rouser," provided a template for rowdy instrumental rock; his recordings with Nancy Sinatra, like 1966's "These Boots Were Made for Walkin'," made her an icon; and the duets the pair made ...
4. Aug. 2007 · Explore Lee Hazlewood's discography including top tracks, albums, and reviews. Learn all about Lee Hazlewood on AllMusic.
Forty, an Album by Lee Hazlewood. Released in 1969 on LHI (catalog no. S-12009; Vinyl LP). Genres: Baroque Pop. Rated #693 in the best albums of 1969. Featured peformers: Lee Hazlewood (producer, liner notes), Shel Talmy (producer).
Archive Series. No 16". - Album remastered from pristine LHI master tapes. - Includes session outtake “For Once in My Life” and previously unreleased backing track “Send Out Love”. - Liner notes by Hunter Lea including an interview with Shel Talmy. - Archival photos. Information on the back: " (P) 2017 Barton Lee Hazlewood Separate ...
10. Nov. 2020 · Forty by Lee Hazlewood. Publication date 1969 Usage Attribution-NonCommercial-NoDerivs 4.0 International Topics Pop Rock Blues Language English. No copyright infringement Addeddate 2020-11-10 20:27:51 Identifier 07.-september-song Scanne ...
7. Jan. 2014 · One of the four Hazlewood albums LHI released, 1969’s Forty, is exactly what its title implies: a sad-sack account of the artist as an old man (or at least an almost-middle-aged one).